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  1. #16
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    More wrinkles.

    gdad_37.jpg

    gdad_38.jpg

    Enough already, move on to the neck.

    gdad_39.jpg

    gdad_40.jpg

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  3. #17
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    gdad_41.jpg

    gdad_42.jpg

    gdad_43.jpg

    gdad_44.jpg

    Just about ready for final details and cleaning up.

  4. #18
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    Well time to make a decision re the eyes. The 'classical' no pupil look doesn't quite work for me, and my wife reckons the no pupil look is creepy. I did a few tests and decided to go with something simple.

    gdad_45.jpggdad_46.jpg

    Simple or not, these cuts were easily the most difficult of the job so far.

  5. #19
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    The eyes are a great improvement fyarsk me Phil.
    I have seen the pupils done as well on some carvings that have looked pretty good.
    Here is one example by Michaelangelo. It is in marble I think, but the pupils work quite well. They really give the dainty looking bloke with grapes in his hair a directional gaze. (If you will excuse the artspeak).
    carving with pupils 001.jpg You might want to click on it to make it a bit larger.

  6. #20
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    Those wrinkles have been finished very well indeed, you may consider it sacriledge in a wood forum but I almost wish the figure in the wood wasn't there to obscure !

  7. #21
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    Hi Mike
    It's interesting that you feel the grain distracts/detracts from the appearance. My feeling was that the grain kind of implied more wrinkles. Looking at the carved wrinkles in the magnified photo I think there is still some work to do on the finish!

    AB
    I got quite anxious at the idea of tracing the shape of the cornea, adding a pupil is probably bridge too far. I am going to practice some alternatives as I agree the pupil undoubtedly adds something to the overall effect.

  8. #22
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    This is going brilliantly , it is perhaps he profound appreciation of the sculptural aspect which prompted the comment, just dismiss it , you quite obviously know very well were you are going. I certainly agree with AB.'s suggestion about the eyes. This is an absolute cracker !
    I'm certain that when there's a finish on I'll be very pleased it was in wood !

  9. #23
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    'you quite obviously know very well were you are going'
    Oh how I laughed


    To suggest I know where I am going might be drawing a long bow. My original plan was to use the piece of blackwood for this
    tangledroots1.jpg
    but felt the pronounced grain might be inappropriate for such a clear complexion. Gaspar's complexion on the other hand could hardly be described as clear so I had no such reservations.

    Philip.

  10. #24
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    Going great Phil, I love the flow of the grain and when the finish is on it should give a more weather beaten look to the face. Look forward to seeing it finished.

  11. #25
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    Quote Originally Posted by HuonPhil View Post
    'you quite obviously know very well were you are going'
    Oh how I laughed


    To suggest I know where I am going might be drawing a long bow. My original plan was to use the piece of blackwood for this
    tangledroots1.jpg
    but felt the pronounced grain might be inappropriate for such a clear complexion. Gaspar's complexion on the other hand could hardly be described as clear so I had no such reservations.
    Philip.
    Good call Philip. I agree wholeheartedly. Making pronounced figuring work in a bust rarely works out satisfactorily.
    Peter

  12. #26
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    After a couple of days away from home for our son's wedding, Gaspar is now finished.

    I decided to take AB's advice and add the iris to the eye - after all there doesn't seem to be much point putting up your work and asking for advice if you then ignore it. I have to say, the eyes seem so much more convincing now.

    Finish - sanded to 180 grit on his cap only, for most of the rest just a light scraping and for the recessed sections at the shoulders straight off the tool. Then 2 coats of Danish oil light sand and wax.

    As always feel free to praise/criticise.

    gdad_47.jpggdad_48.jpggdad_49.jpggdad_50.jpggdad_51.jpggdad_52.jpggdad_53.jpggdad_54.jpg

    Oh, and for the record, now that he is finished I have renamed him 'Big Ed'

  13. #27
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    Sometimes I think it's a pity that praise is lavished too freely because when you get a carving as good as this there are no stronger/higher words of praise left to use!
    Technically it's excellent in terms of cleaness of carving & anatomical accuracy but much more importantly it conveys the spirit of the old guy perfectly, old but not worn out inside, indeed - lost his teeth but still smiling !
    All art & especially carving is about making a long series of decisions, starting with what shall I carve , in which wood & going onwards through , all of that- how much shall I take of here? where next? & what's wrong ! , how shall I do the eyes & what finish shall I use ?
    It's easy to lose confidence at times , it's a wonder anybody ever gets to finishing anything ! let alone feel pleased or satisfied with the results of what can be long & arduous labour.
    And NO ! you can't go back & change a wrong decision you'll have to live with it or adapt your initial ideas , it's challenging - this carving thing ! but when it all comes right , it is worth it & you have your finished caving as a trophy.
    Take a minute to savour the victory Phil because soon you will forget any difficulties & within days, hours even ! you'll be thinking " What shall I do next ?".

  14. #28
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    I like it.
    Cliff.
    If you find a post of mine that is missing a pic that you'd like to see, let me know & I'll see if I can find a copy.

  15. #29
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    Well done Phil, big Ed is a beauty for a bloke so crinkly, As Mike says, carving can be very unforgiving sometimes. That's certainly one to be very proud of.

  16. #30
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    I must say that I really did enjoy following your journey. I was not sure what to actually expect with the end result. It has come up quite a treat.

    I like the way the shadows are formed around the face and under his cap.

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