Thread: Wood carving is hard
22nd Dec 2012, 07:46 AM #1
Wood carving is hard
I have made a couple of Shaker style side tables with little drawers and I thought I might try my hand at some wood carving. Instead of purchasing some handles I have decided to make my own by carving a little decorative base and attaching a turned knob. Well I quickly discovered some very useful facts
1. God does not reward impatient wood carvers. Even the smallest amount of change to the shape you are carving takes ages and any attempt to speed the process up is bound to end in disaster.
2. The book "Simple Projects for Beginning Wood Carvers" cannot be honestly written and sold. Wood carving starts at extremely hard and goes up from there.
3. Wood is evil and does not enjoy being carved and will not under any circumstances co-operate in the process. It can be tamed but never domesticated.
4. Huon pine is lovely timber. I have a few odd bits of it and I suspect that over time I will make good friends with it and it will consent to being formed into the shapes I have in mind.
5. Also wood carving is great fun.
6. I have had the chance over the last week to spend large uninterrupted time turning perfectly good timber into shavings and sawdust. I have been having and orgy of wood working. Now I have sometimes thought that perhaps it might be possible to turn some of my meagre skills and enjoyment into cash by making and selling objects but now I am not so sure. I realised that I do not spend time in the shed to make things. The actual making or producing useful and sometimes beautiful objects is not the point of the exercise for me and is in fact an artefact or by-product of the activity. It appears that for me at least the process of making and learning is far more important and satisfying than the actual production of objects. I have made houses and buildings full of objects over the years but when I look back on it it was the process I enjoyed far more than the completing. I am not sure that this is a good attitude to have for anyone contemplating making money from wood.My age is still less than my number of posts
22nd Dec 2012 07:46 AM # ADSGoogle Adsense Advertisement
- Join Date
- Advertising world
22nd Dec 2012, 04:19 PM #2
23rd Dec 2012, 03:28 AM #3
That is why top quality wood carver's are a rare breed
23rd Dec 2012, 04:59 AM #4
Was your first joining nice, fast and easy ? Don't give up at first try ! You just need practice.
23rd Dec 2012, 06:20 AM #5
Chook, as with all woodworking, Carving is a skill learnt thru practice, practice, practice.
Some tips to make it a tad easier. Aussie hardwoods are the same a self flagellation. Local timbers to try are Huon, as you mentioned, Jacaranda or Camphor. Exotics are Poplar, Box or Jelutong.
Keep every tool sharp and have a strop or hone next to you.
Draw/reproduce the picture on the wood.
Do a little each day. Leave it set up. Hone your chisels, carve, hone. Even if you do this as a break from over activities through the day.
Work is a necessary evil to be avoided. Mark Twain
23rd Dec 2012, 09:03 AM #6
How and when to sharpen, how and when to hone on a strop, how to keep consistent angles = those are the path to fun in wood carving.
Done it for years. North American hardwoods = birch, walnut, maple. . . not so bad with "carving sharp" tools. That is not the same as woodworking sharp.
Read "Star's Sharpening Journey" in the Wood Carving Forum. He invited me to do "show-and-tell."
Any questions, just ask.
23rd Dec 2012, 09:46 AM #7
It is a big advantage to keep a bit of modeling clay on hand for the tricky bits. It's hard to see 3D on a flat board.Cheers, Bill
23rd Dec 2012, 03:28 PM #8
Depends upon how you use the clay.
Additive is fine but you can't determine the carving process from that.
Subtractive is fine but the transfer to wood (& different tools) is a puzzle.
On rare occassions, I cut things from syrofoam or some other plastic foam.
Only to gain a sense of what the end result might look like. There's no gain in the carving process or technique at all. Wish there was!
With "carving sharp" tools, I can do a maquette in no time. All I learn is the order of process = carve this before carving that. I keep them as reminders of "how" to get other carvings done.
I have run out of spit talking about "carving sharp." Quite important, overall.
23rd Dec 2012, 04:40 PM #9
If the carver can draw or model in clay, he or she can " understand " the carving and copy if necessary. As far as a beginner putting the bow to the fiddle he has a much better chance if he understands the form to be carved. As for a carving strategy that comes with experience.Cheers, Bill
23rd Dec 2012, 09:25 PM #10
But one way or the other I AM going to carve a decorative handle for the table.My age is still less than my number of posts
23rd Dec 2012, 09:35 PM #11
23rd Dec 2012, 09:37 PM #12
24th Dec 2012, 08:27 AM #13
I feel the same way as you do about carving so have not gone anywhere near that aspect of wood working. As for turning this is quite as adventure, as I am finding my way on using the chisels.
25th Dec 2012, 04:52 AM #14
Working from a plasticene model (maquette) I consider vital and is a time honoured technique in subtractive sculpture..
I find that people often mistake the challenge of carving with the process and methods of removing wood...
..This is not the case....pushing a chisel around a piece of wood is not difficult and can be taught quite easily..(as can sharpening)
..The biggest challenge I've found is to get your head around the whole 3d subtraction process....ie, the confidence in knowing which bits to remove.
..and this is where the maquette is important..
..before starting a carving project I get my students to model a rough likeness of the piece in plasticene...it's quick and gives them a sense of volume, proportion, line etc..
..next, I get them to make a simple copy (in plasticene) of the piece of wood they are working with....then, using a knife, repeating their piece in plasticene by subtraction only..
This is a simple teaching technique...it takes little time and gives a student the confidence to know exactly what to remove...
The speed and ease of manipulating the chisels, like anything, just comes with practice
what if the hokey pokey is really what it's all about?
25th Dec 2012, 05:33 AM #15
By waqasfte in forum WOODCARVING AND SCULPTUREReplies: 3Last Post: 24th Jun 2009, 07:01 PM
By tiki in forum WOODWORK - GENERALReplies: 8Last Post: 23rd Jul 2006, 07:51 PM
By MeTaBo MaN in forum WOODCARVING AND SCULPTUREReplies: 11Last Post: 26th Jun 2006, 10:58 PM
By Calm in forum WOODWORK - GENERALReplies: 8Last Post: 30th May 2006, 02:57 PM
By tiki in forum WOODCARVING AND SCULPTUREReplies: 2Last Post: 3rd Aug 2003, 10:56 PM