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Thread: "Disston #15"
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5th December 2022, 03:44 PM #1
"Disston #15"
I haven't been here much so I'm doing a 'tread lightly' post about a hand-made, full-size saw by Charlie Earnest some people might be interested in ...
It was made, WIP, and sold on fb ... (US$900)
Text : CE 12-2022.txt - Google Drive
Photos : Charlie Earnest #15 - Google Photos
(links are not to fb)
Cheers,
Paul McGee
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5th December 2022 03:44 PM # ADSGoogle Adsense Advertisement
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5th December 2022, 06:51 PM #2
Paul
Good to hear from you. Nice saw and a good subject for your "comeback."
I had not heard of Charles Earnst, but he makes a good saw. I like that style of lambs tongue handle with the deep step before the grip. If I had to be critical, and for US$900 I think that is permitted, the mahogany timber is a little coarse grained and the ebonising and shellac finishing has done nothing to fill the natural depressions. The saw plate at .042" is a little thick for a 26" saw. That .042", back in the day, would have only be seen on a 30" saw (.039" for a 28" version),although I have to admit that as time went on plate thickness tended to increase.
Just me being a bit picky. It looks as though the teeth have sloped gullets or what I prefer to call angled teeth. Nice. It looked as though a video should be available, presumeably showing Mr. Earnst cutting a piece of 1/¾" Red Oak, but the video would not load for me.
Regards
PaulBushmiller;
"Power tends to corrupt. Absolute power corrupts, absolutely!"
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5th December 2022, 08:16 PM #3
I’ve Been following Charlie on Facebook from a very humble beginnings he’s come quite away, he’s thrown him self at the art of saw making,an it shows.
He’s doing some wonderful saws.
Cheers Matt.
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6th December 2022, 09:54 AM #4
Certainly a nice job & looks very nicely sharpened to boot! Apart from Paul's critique, I noticed a few gaps around the brass inlay detracting from the 'premium' class. Make no mistake, I'm not claiming I could do better, I know how difficult it can be to inlay metal seamlessly!
With wood-in-wood inlay, you can squeeze the inlay into a tight recess so that the edges are truly gap-free, & even if some sections aren't as tight as you'd wish, the more fuzzy edges tend to disguise it:
Inlay.jpg
But it takes another order of precision to get as good results with a metal-in-wood inlay. As experience stuffing infill planes has taught me, the most minute gap tends to show, thanks to the edges of the metal providing a sharp reference line. I lost track of how many hours it took me to fit the stuffing in my first infill & though I eventually got it close enough for a "user", I wouldn't claim it is a premium job... :no:
2018.jpg
:)
Cheers,IW
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