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3rd May 2010, 07:21 PM #1
Turning a wooden flute- What aussie woods?
Posted in wood turning too but thought someone here might know something.
I found an old fine woodworking artical about turning a wooden flute. Says its kinda tricky. Always one to rush in where fools fear to tread, what aussie woods do you think would be good? Being an American artical it doesn't really give any hints. Got some Jarrah off cuts this morning. Do you think that would be good? Maybe Merbu would be able to with stand the dribble factor quite well, but apparently you have to get the balance between hardness and tone. 9It tends to turn everything black too doesn't it Maybe not so good. ) Hard means a brittle sound. Suck and see I guess. (Or should that be blow? )anne-maria.
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3rd May 2010, 08:02 PM #2
I wish you luck.
I suspect you will be making a few different types; and become an expert.Have a good one
Keith
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4th May 2010, 05:01 PM #3
Hi Anne-Maria,
Here is Terry McGee's list Materials used in my Irish flutes but he uses a metal workers lathe not a wood lathe like the rest of us. I think merbau would be OK if the instrument was not going to be subjected to a lot of use. Jarrah should be OK as well. The dense grained timbers have been traditionally used for a reason, they dont soak up the condensation and tend to be more dimensionally stable. It leads to the age old question of "do I do it in nice (expensive) timber and risk botching it or in something cheap and nasty and make a bunch of them till I get my techniques worked out". BTW there is nothing in the literature to support the notion that the timber used affects the sound of the instrument. I can go into great detail but basically there is little energy absorbed and emitted by the body that affects the tone of any flute. Basic physics, build two flutes to exactly the same dimensions and you will get the same sound. Instrument makers can make better margins with more expensive timbers.
Fruit timbers were very commonly used for flutes in Medieval to Classical Europe. Yup, Apple, Cherry, Pear and Almond etc...
A lot of commercial flutes and recorders are impregnated with wax or oil. Luc Verhoven shows his method here Luc Verhoeven - Traversos The flute he shows is Cocobolo and is treated with Tung Oil, obviously a very allergen tolerant client!
Ive been messing with this for years but have retreated to PVC, metal pipe and bamboo. The long boring process has always frustrated me. (And before the flurry comes in I have tried the kits for drilling holes for lampshades, they dont work for Aussie hardwoods).
I would love to see a copy of this article. Does it use a tapered bore? I have dozens of plans for Baroque flutes if you get the bug."We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer
My blog. http://theupanddownblog.blogspot.com
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4th May 2010, 06:24 PM #4
Thanks Subastion. I think I will just make the first few in something easy. Who knows if it will actually become a "string to my bow" cos as I say, I've got enough strings already. But curiosity always gets me. I like the combination of art and science. ThZt's what got me into pottery I think.
The artical I found was in Fine Woodworking January/February 1984 No 44. (Page 64. )anne-maria.
Tea Lady
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5th May 2010, 12:14 AM #5SENIOR MEMBER
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Im assuming your talking about a conventional transverse flute.
I would assume a heavy open grained timber like jarrah would in fact be difficult to seal, if your going to use pads, open hole not to much of an issue, Maybe start with a nice single piece flute, light weight bamboo comes to mind and then progress from there.
Yell out if you need help or info, We make and repair woodwind and brass instruments for a living
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5th May 2010, 08:11 AM #6
Hi TL,
are you looking at the article "How to Make a Wooden Flute" by Whittaker Freegard? That should give you a fairly reasonable flute in G (as I recall), they speak easily and the finger stretch is very easy. The location and size of the fingerholes is something you need to be cautious about though, make two at the same time and learn from your mistakes on the first one. There was a similar article in FWW in 1977, and reprinted later in a book called something like "Things to Make", entitled "The Flageolet", don't be tempted to attempt that, it's a shocker, there are much easier ways to make a whistle than what is suggested there.
As for wood, anything will work, but make it easier on yourself in the first instance and use something that works nicely. I really recommend Cotoneaster as a suitable starting point, Manchurian Pear is good too and any of the fruit woods are relatively easy to work and give a good result.
Hole boring on a wood lathe isn't too bad for small diameter bores but gets harder as the bore increases, I bought an old metal lathe and haven't looked back!
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5th May 2010, 06:10 PM #7
Thanks. Might take you up on help when I stuff u[p the first one (or three )
Catoniastor? There was some of that at Knox woodworkers. It was labeled funny. Caton-easter. Had me confused everytime I looked at it. I bet someone has thrown it out by now.anne-maria.
Tea Lady
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6th May 2010, 06:22 AM #8
Cotoneaster is also great for Netsuke. It resembles Boxwood which is a traditional timber for wind instruments. Pity its such an invasive weed. Terry McGee used to list Cooktown Ironwood but has stopped using it. Dunno why....
"We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer
My blog. http://theupanddownblog.blogspot.com
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6th May 2010, 08:32 AM #9
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6th May 2010, 11:08 AM #10GOLD MEMBER
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I have read that a lot of people make their first flutes out of maple - cheaper and easier to work than a lot of flute woods, but still will give a reasonable flute.
The other day I described to my daughter how to find something in the garage by saying "It's right near my big saw". A few minutes later she came back to ask: "Do you mean the black one, the green one, or the blue one?".
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6th May 2010, 12:18 PM #11GOLD MEMBER
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6th May 2010, 04:53 PM #12anne-maria.
Tea Lady
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Follow my little workshop/gallery on facebook. things of clay and wood.
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7th May 2010, 06:25 AM #13
Tagua has been used to make the rings on the joints of recorders and baroque flutes to replace ivory. The cork is best made from cork in a transverse flute. It would make a reasonable plug for recorder or wooden whistle. Anecdotally it appears stable.
Much better for an Ocarina though..."We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer
My blog. http://theupanddownblog.blogspot.com
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