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  1. #1
    Join Date
    Jul 2007
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    Default Another Pine Cone Pen

    Well, worked on a second pine cone today, cast in PR, Berea black chrome cigar.

    Little fill, little re-attach a leaf here and there. Somewhat of a pain, but worth it in the end. I'm working out the bugs on casting these - there's a lot of prep work involved to get them right.

    "If at first you don't succeed, destroy all evidence that you tried." - Stephen Wright

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  3. #2
    Join Date
    Apr 2005
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    Aberglassly,NSW
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    Default

    Another nice pen Karl, you have the hang of this casting bit

    Well done like the highlights

  4. #3
    ss_11000 is offline You've got to risk it to get the biscuit
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    Canberra
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    Default

    ...great work mate. the black and red looks great.
    S T I R L O

  5. #4
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    Apr 2005
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    Default

    Looks great Karl

    Your pine cones look thin, with more leaf and less centre wood, but your casting solves that problem and the results are amazing. Did you dye the leafs red before casting, or is it just the light? I also assume you cast using black resin?
    Neil
    ____________________________________________
    Every day presents an opportunity to learn something new

  6. #5
    Join Date
    Oct 2006
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    Default

    Man, makes you green with envy!, very god looking pen. Amos

  7. #6
    Join Date
    Oct 2002
    Location
    NSW
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    Default

    Very impressive!!

    The red and black looks tres cool!

    I feel almost unworthy when I wonder about the "smileys" on the cap, and the "frownies" on the pen body. Is this just the way the pine cone grows, or did a bit get reversed somewhere in the process?

    Cheers,
    Andrew

  8. #7
    Join Date
    Jun 2007
    Location
    Meridian Idaho
    Posts
    96

    Thumbs up

    WOW. Stunning. Great work!!!!!!!!!!!!!!!!!!!!!!!

    I admire those that go to great lengths to turn this kind of project.


    Jim
    Turned Around in Idaho
    Jim

  9. #8
    Join Date
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    Default

    Quote Originally Posted by dai sensei View Post
    Looks great Karl

    Your pine cones look thin, with more leaf and less centre wood, but your casting solves that problem and the results are amazing. Did you dye the leafs red before casting, or is it just the light? I also assume you cast using black resin?
    Aye, the center is so thin on these that for the cigar, I basically drilled it all away, leaving a bunch of floating leaves, which made for much sharpening and the occasional expletive (coupled with scrounging around my sawdust pile, looking for the errant piece to glue back on - one of which was actually stuck to my shirt as I rummaged around on hands and knees for 10 minutes ).

    The resin I used for this was actually a pearlized dark bronze color with some gold and copper sparkly mica pearl added in. It's hard to get a good picture of the sparkly stuff, but it's under there.

    The red/brown/coffee color is actually in the first couple layers of CA finish - I over-turned the blank down a smidgen at the outsides, added some color to the turning all the way across, and the CA dissolved the color into itself. I repeated the color coat/CA coat a couple times, sanding through the center portions of the blanks a bit to get a sunburst effect with darker coloring at the center band and ends.

    The aim was sorta like the sunburst Stratocaster guitars of yesteryear. After I got the color as close as I could to that, the final 2 coats of CA were left uncolored to give me something to polish without losing color in the sanding process.

    The CA was applied with the little baggies that the kits come in.

    Quote Originally Posted by arose62 View Post
    Very impressive!!

    The red and black looks tres cool!

    I feel almost unworthy when I wonder about the "smileys" on the cap, and the "frownies" on the pen body. Is this just the way the pine cone grows, or did a bit get reversed somewhere in the process?

    Cheers,
    Andrew
    I was wondering if anyone would notice the direction reversal!

    Since the Cigars sorta taper out to the ends, and the cones are fatter on the bottom, I oriented both cone bottoms to the center to try to keep some symmetry, and allow more leaf 'wood' to show through at the fat parts to facilitate my color fade plan.

    Thanks for all the comments, btw!
    "If at first you don't succeed, destroy all evidence that you tried." - Stephen Wright

  10. #9
    Join Date
    Nov 2007
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    Thumbs up Pen

    Saw this on the Ia[ site. great pen

  11. #10
    Join Date
    Apr 2007
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    Default

    Stunning ! What did you use for the highlights? I have a couple of pinecones, but am not game to tackle them yet. Maybe our cones are not suitable.
    Shirley

  12. #11
    Join Date
    May 2005
    Location
    Italy
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    Default

    That is a very nice pen! I love it.
    http://www.la-truciolara.com/
    La Truciolara is the workshop where I do my shavings.

  13. #12
    Join Date
    Sep 2006
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    A.C.T
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    Default Karl

    Hi from your comments on another site I despaired of your return to us,glad you did,the pen has a lot of impact especially the size of the pic,my impression is you rather like the challenges of the way in the construction department.What with worms and dog droppings,the creek floating the fallen timber covered in ants etc,roping in the timber,all of this as well as working as a finishing carpenter. All of this reminiscent of a frantic life.
    Do you like turning normal burled timber as well?
    Anyway welcome back,never a dull moment.

    regards Peter

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