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  1. #46
    Join Date
    Jul 2007
    Location
    Queensland
    Posts
    171

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    Driftit: I will be French Polishing the guitar as thats all I'm set up for. It is good for the lungs too!

    My plan is to string up the guitar and then scrape the re-curve and do the final setup on the guitar. After I am satisfied with the instrument I will dis-assemble the guitar and do the finsh process. Last weekend the pickup and pick guard where assembled and next weekend the plan is to wire it up.

    It has been such a great experience building this one.

    Cheers

    Alan

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  3. #47
    Join Date
    Sep 2006
    Location
    Wandong
    Age
    60
    Posts
    453

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    Nice job there Alan!
    As a previous archtop builder (photo's on here somewhere) from the same book, I can relate to the sheer amount of hard work and trepidation involved in building one of these.
    You've done a fantastic job and deserve to be proud of it! Well done

  4. #48
    Join Date
    Jul 2007
    Location
    Queensland
    Posts
    171

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    Thanks Malibu for your comments.

    There is a lot to consider before embarking on building an archtop. I researched the subject thoroughly but there where still a few daunting stages to get through. At present I am having issues with the tailpiece. I am waiting on a new ebony piece from Stew Mac to have another go at making this part. The book tells you buggar all and it is a very important part of the instrument. They are expensive to buy pre made and I know why. I think I have the problem sorted so you should see some more pics very shortly.

    Cheers

    Alan

  5. #49
    Join Date
    Sep 2006
    Location
    Wandong
    Age
    60
    Posts
    453

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    Alan,
    I should have done like you and researched a bit more, but I tend to be one of these people that jump in and figure out the details later. Most of my building was doing something... then wonder how I was gonna fix THAT mess-up before going onto the NEXT mess-up!

    I understand about the tailpiece!
    It's been a few years since I made mine, but I know the tail piece was a fiddly thing that rocketed off when the strap broke the first time I strung it all up. I know I spent something like 10 hours just for the tail, not including my inlay work....

    Because the book is a little light on some of the finer details at times, I actually bought a tailpiece from e-bay and used that as a sample because I wasn't sure how the shape was meant to be, or how to stand it off the sound-board. I also used it as a reference for doing the inlay on my guitar and it was a tremendous insight into the 'how' of it all. Once I got the idea of it all, I worked on my own tail-piece/inlay.

    Working with ebony is a bit like trying to carve granite, but in the end, it's a magnificent timber for it's finishing properties and with the right grit paper, it'll come up like glass.

    I look forward to seeing more of your progress!

    PS: I had a chuckle to myself at the picture with the bucket of shavings! How much timber is wasted doing an archtop? I had BOXES of the stuff around the place

  6. #50
    Join Date
    Jul 2007
    Location
    Queensland
    Posts
    171

    Default

    Finally got the tailpiece sorted. Strung the guitar up again today so we will see if it hold on this time.
    Here are a few pics:



    I want to let the guitar settle for a little and then the recurve will be scraped. I did a temperory wiring job and soldered an input jack on the pickup so I could have a little listen. The sustain is great and the tone, warm and woody.
    Thanks for looking
    Alan

  7. #51
    Join Date
    Jul 2007
    Location
    Queensland
    Posts
    171

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    Just to keep you up to date with the archie the re-curve has been scraped. Well I should say sanded as I had lots of trouble trying to scrape across the grain using a scraper blade. I'd never used one before either so my technique could have been a bit ordinary. In the end after lots of frustration I actually made a shaped sanding stick to do the job. I had not much of an idea on how I was going to achieve this recurve so it was fly by the seat of your pants stuff. The process took many hours sanding small amounts of material off, tapping the box as I went to achieve an even vibration around the recurve area. The box dropped a tone in pitch after the recurve was cut. It was also much more responsive so time will tell how she will turn out. I have a good feeling about it!

    The French Polish process was finalised two weeks ago. It took five, four hour sessions to complete where I managed to go around the box four times each session. Before each session I would sand the guitar lightly with 400 grit. It needs a month to dry now and then it will be final sand and setup time.

    Here are a few pictures. The first is to show the recurve area and the others the french polish. Thanks for looking.




    Cheers
    Alan

  8. #52
    Join Date
    Oct 2008
    Location
    Sydney
    Posts
    499

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    Lots of thumbs up for this one, fantastic.

  9. #53
    Join Date
    Oct 2005
    Location
    Bagdad Tasmania
    Age
    77
    Posts
    1,504

    Default Ozzie Build 17'' Archtop

    Very nice Alan, Excellant finish.
    Cheers Bob

  10. #54
    Join Date
    Mar 2011
    Location
    Cairns,QLD,AUSTRALIA
    Posts
    7

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    Great job so far Alan,and cheers for sharing progress pics,It really gives guitar builders more insight and understanding of what work and how much work goes in to building arch-tops not to mention tutorial benefits if they wanna attempt it,Cant wait to see it finished cheers Alan
    Last edited by alski81; 6th November 2011 at 02:51 AM. Reason: sssss

  11. #55
    Join Date
    Jul 2007
    Location
    Queensland
    Posts
    171

    Default

    The archie is finally finished having started this one in January this year. It has been a great learning experience and I will be starting another very shortly. Thanks to the forum member friends here who have helped me out with some questions along the way. In the end, just use your gut instinct and go for it.
    Lutz Spruce
    Back and sides: Queensland Maple
    Tailpiece fingerboard and pickguard: Ebony
    Headplate and endgraft: Tasmanian Tiger Myrtle
    Machine heads: Black Schallers
    Pickup: Benedetto S-6 Humbucker
    Neck: One piece figured Queensland Maple
    Strings: D'addario Chromes
    Here are a few pics





    Thank you for looking
    Cheers
    Alan

  12. #56
    Join Date
    Sep 2008
    Location
    sydney
    Posts
    2,370

    Default

    Nice job
    gotta love some french polishing

  13. #57
    Join Date
    Dec 2008
    Location
    Bradbury
    Posts
    1,429

    Default

    Nice job Alan. Came up a treat! It even brought Andrew out of hibernation lol

  14. #58
    Join Date
    Jun 2004
    Location
    Mount Colah, Sydney
    Age
    72
    Posts
    923

    Default

    Absolutely fabulous
    Alastair

  15. #59
    Join Date
    Jul 2007
    Location
    Queensland
    Posts
    171

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    Thanks Andrew, Floddy and Alistair for your comments.

    I think the french polish is great finish.

    It has the mojo i reckon.

    Cheers

    Alan

  16. #60
    Join Date
    Jun 2004
    Location
    Mount Colah, Sydney
    Age
    72
    Posts
    923

    Default

    I'm also a (recent) convert to FP.

    It does focus you on your finiting tho'.

    Nothing like it for highlighting every blemish in your piece.

    regards
    Alastair

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