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Thread: Tassie Myrtle OM
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23rd September 2007, 09:03 PM #1
Tassie Myrtle OM
Finished this one off today.
Tasmanian Myrtle OM with Blackwood bindings, Engelmann top and a Mulga fingerboard.
The finish is Ubeaut Hard Shellac.
It's a nice sounding instrument, plenty of bottom end for an OM but nicely
balanced through the strings.
It's heading back to Tassie next weekend with me as a chaperone so I can buy more wood.
Thanks for looking.
Bob
Bob Connor
Geelong
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23rd September 2007, 10:54 PM #2
That is totally jaw-dropping, Bob.
Makes my builds look like they're made from lego.
How many hours for this one?
cheers, Stu
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23rd September 2007, 11:11 PM #3
That's very impressive, I like. You better post a pic of the headstock so we have the complete picture!
What's an OM??
I'm fascinated by guitar bindings. Are there any guitars made without edge bindings? Are there any guitars made with overlapping plates like violins?
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23rd September 2007, 11:35 PM #4
G'day Stu
100-150 hours I guess. There's two of us doing this, meself and Dave, who is a very good cabinet maker and even a better Guinness drinker.
Contrebass
An OM is an Orchestra Model guitar popularised by the CF Martin Company back in the 20's or 30's I think. Generally regarded as the standard by which fingerstyle guitars are measured. The one that Clapton uses on his unplugged album is an OM.
Here's a pic of the headstock
Cheers
Bob
Last edited by bob_connor; 24th September 2007 at 10:09 AM. Reason: Can't type proper
Bob Connor
Geelong
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23rd September 2007, 11:51 PM #5
Lovely guitar Bob.
The workmanship looks first class.Scally
__________________________________________
The ark was built by an amateur
the titanic was built by professionals
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23rd September 2007, 11:58 PM #6
Contrebass
I have seen some Martin guitars in the $1500 range that don't have bindings. I don't care for the look or the functionality of them. The bindings are there mainly to protect the end/side grain of the top and back.
If the finish wears out on an unbound guitar, moisture would play havoc with both the wood and the joint, not to mention dings and cracks.
I've never seen overlapping plates on a guitar. There may be some in existence but I'm unaware of them.
Cheers
BobBob Connor
Geelong
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24th September 2007, 01:09 AM #7
Well ... so I'm wondering why bowed instruments don't have the same problems withot bindings??
don't expect an answer. Its one of those conundrums.
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24th September 2007, 07:08 AM #8
Beatuiful Bob, the paua is all inlaid right? black tinted epoxy? How do you get the paua around the curve? Beginners questions......
Contra, Ive thought the same thing, apart from wear and style I cant think of a reason."We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer
My blog. http://theupanddownblog.blogspot.com
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24th September 2007, 07:24 AM #9
Sebastiaan
The Paua shell comes in curved pieces around an inch long. You just have to true the ends up to get a perfect fit. It also comes in different diameters and widths. If you Google Australian Mother of Pearl Supplies you'll see what is available.
No epoxy.
The Paua is set into place inside the B/W/B purflings and flooded with cyanoacrylate glue (superglue) If you plan to do this make sure you give the soundboard a seal coat of shellac as the cyano will stain Spruce soundboards yellow.
We use Hot Stuff red label.
Cheers
BobBob Connor
Geelong
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24th September 2007, 08:43 AM #10
I like very much what you've done with some of our timber Bob. Give us a shout if you're down south and I'll fix you up with a "cup of tea".
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24th September 2007, 10:06 AM #11
Our Timber
Deep South
I'll definitely agree with the "our" bit.
I grew up in Hobart and then lived in Lonnie for 20 years and even though I'm living in Geelong I'm still a proud Tasmanian.
The footy team here is doing alright though. I hope they can crack the big one next week. Go Cats.
Cheers
BobBob Connor
Geelong
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24th September 2007, 10:08 AM #12
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24th September 2007, 02:16 PM #13Guitarzzz
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Wow, if that guitar sounds only half as good as it looks, then you must have yourself one fantastic player there! Excellent work bob, I love it. The bindings are great. I love that binding on the fretboard.
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24th September 2007, 04:39 PM #14GOLD MEMBER
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24th September 2007, 05:07 PM #15Senior Member
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Nice one Bob, I really like that axe.
I saw a guitar made with overlapping plates like a violin once, didn't really float my boat, looked a bit odd to me. Can't remember where I saw it. I thought that you'd likely catch an edge on something, just 'cause the way a guitar is held as opposed to other stringed instruments.
That hard shellac looks great.
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