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Thread: Scribbly notes from the shed
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19th March 2010, 12:03 AM #91
Terrific. Looks good even without the hearts. Just the light and shadows. (I reckon cotton would still be the best thing for stitching them on. Maybe use a thicker string so it comes through the dying and bleaching. I think nylon would look too unnatural and would stay bright. )
anne-maria.
Tea Lady
(White with none)
Follow my little workshop/gallery on facebook. things of clay and wood.
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19th March 2010, 12:27 AM #92
Have to agree with TL, cotton or hemp, No smoking or cookies, only to use as ties.
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19th March 2010, 09:08 PM #93
art it is
smile and the world will smile with you
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20th March 2010, 12:10 AM #94
MEGA store experience
After mulling over it I decided on Irish linen thread because of it's history more than anything. I'm a little concerned about it holding up under the conditions over time but thought I'd attach a little bag of spare hearts, thread and needle to the back just in case, that'll put my conscience to rest.
In a fingers crossed quest to purchase some I detoured on my way home from work and dropped into a MEGA Spotlight store only to be confronted with a less enthusiastic store attendant who decided that I was better off in the craft section about a mile away to the other side of the store, great!
Isle upon isle upon isle, I couldn't find the Irish linen thread and walked out after buying two wound up balls of satin, 2 ply, midnight blue, 100% cotton thread, why! Because that's what MEGA stores do to you I suppose
The Irish linen thread search continues
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20th March 2010, 10:33 AM #95
I know it's a little wierd, but what about a saddler's store, Spring? I got some linen thread from the local one. it was pretty expensive though Maybe looking for the thread online might yield more results?
cheers
WendyBox Challenge 2011 - Check out the amazing Boxes!
Twist One - Wooden Hinge/Latch/Catch/Handle
Twist Two - Found Object
Twist Three - Anything Goes
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20th March 2010, 11:26 AM #96
That's a good thought Ruffly, thanks, it's no more weird than floundering around online and finding out that book binding suppliers maybe the place to get it Yeah it does look like it's going to be expensive though. I'm wondering if the waxed lined thread may be more durable against salt and bleach Don't want to be too precious about it though, after all I'm after a weathered appearance not something clinical if that's the right word.
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22nd March 2010, 11:51 PM #97
Salt
Just a few steps along the way. Colouring the hollows turned out to be a small disaster but may still give something back. Linseed oil was left to settle in the hollows for a day then a mix of Ultramarine blue oil paint, gum turps and painting medium was pooled in. Now drying out after a soaking in a bleach and salt slurry. Would have been good to use the summer sun as well because that really sets the bleach bleaching.
Attachment 132872Attachment 132873
Attachment 132874
A hearty Huon bleach soup
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23rd March 2010, 05:22 AM #98
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23rd March 2010, 10:27 PM #99
Thanks Undy, I've experimented on a few sample pieces but kind of new what to expect by observing wear on old wooden boats and painted stuff washed ashore. I do like to leave some things to chance though so I'm still not sure of the result until it drys out then I'll take it from there.
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23rd March 2010, 10:37 PM #100
Ahh, a similar system to my own, artwork suprise
Looking ever more amazing Springy.
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24th March 2010, 09:00 AM #101
Hi Spring,
Is this step - the slurry - is a step of faith as you can't really guess at the end result?
I would think Waxed thread is the way to go, but maybe buying it unwaxed and waxing it yourself might help keep the cost down at little.
Book Binders - Of Course! Doh
cheers
WendyBox Challenge 2011 - Check out the amazing Boxes!
Twist One - Wooden Hinge/Latch/Catch/Handle
Twist Two - Found Object
Twist Three - Anything Goes
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24th March 2010, 11:22 PM #102
Hi Wendy,
Making the hollows was conceived after initial bleaching and stitching of the pieces. Shaping the hollows for the hearts to lay in exposed unbleached wood, so the slurry was used to re-bleach them for consistency. The thinned oil paint was applied and let dry before the slurry so it sunk into the wood like a stain with the intention of repelling the drying effect of the bleach and salt.
I'd say the wood will crack more with age, there is some intention in that. A few pieces have already cracked and I'm thinking of mending them with a few stitches here and there, we'll see.
My daughter's coming back from England for a holiday soon There's a chance she may bring some thread back with her
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24th March 2010, 11:35 PM #103
Hey Springy, how about "cat gut" not sure if you can buy it anywhere these days but I know where there are heaps of cats!! Jokes aside how about the multi stand fishing line that they use for fly fishing etc I often come across it when I'm scuba diving seem strong and lasts well under salt water at least.
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25th March 2010, 09:28 PM #104
Yeah Craw, thanks for the thoughts I thought of "cat gut" for the stitching of the pieces but it seems to be expensive now, apparently sort after for double bass strings but needing about 100 M, that's a lot of strings I bet there's an old tennis racket stringerupperer around somewhere that's got a stash somewhere
I also had a look at the fly fishing 'braid' I think it was called, for reasons you mentioned and the stuff rod makers used to secure the eyelets for the same reason of durability but as Tea Lady said the synthetics have that shiny new look which I wasn't after.
This morning I left it out to dry in the Autumn sun all day, something to build on I think, so far so good with some tussle to go.
Attachment 133124
Attachment 133125
Attachment 133126
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25th March 2010, 10:23 PM #105
Wow, realy looking old and crusty (great) some iron fileings could go well in the recipe Springy, rusty wood!!
Ok, off to find some cats for you
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