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2nd January 2012, 09:57 PM #46Alumnus of Wood and Strings
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- Dec 2011
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- Coffs Harbour
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- 76
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- 113
Thanks Bob. I might consider doing some tests myself. I really don't want to trial and error on an instrument again.
Kind REGARDS
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2nd January 2012 09:57 PM # ADSGoogle Adsense Advertisement
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- Advertising world
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2nd January 2012, 10:38 PM #47Mandolin, mandola and guitar maker
- Join Date
- Jun 2008
- Location
- Bega NSW
- Posts
- 131
So Bob, do your customers use Spruce bracing on their Huon tops?
Peter
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3rd January 2012, 03:44 AM #48GOLD MEMBER
- Join Date
- Apr 2011
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- McBride BC Canada
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- 3,543
To say that spruce, like Picea glauca, is tone wood misses the mark. Not one cubic meter in a thousand is tonewood. To some degree, that explains the success of "tonewood prospectors" up here.
For research on the elastic properties and other mechanical properties of your woods, I'd ask at CSIRO, Forest Products Division. I know that they were doing some data collection '69 - '72, when I lived in Melbourne.
There's one problem (same as here): they work strictly from the radial, tangential and transverse faces of the log, not a common plan for sawing, anywhere.
Panshin & deZeeuw/Manual of Wood Technology was a text that I've used, good way to brush up on the key features to look for.
Try abeBooks.com, they had a few for 5-30$
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3rd January 2012, 07:36 AM #49SENIOR MEMBER
- Join Date
- Dec 2011
- Location
- SC, USA
- Posts
- 612
Unfortunately, there's just so much variation in physical properties... even within the same tree that I wouldn't really trust the "Book" values except as to a general starting point....
I suppose the crux of the issue could come from one of 2 places - low elastic modulus or a high value for cold creep...
Deflection testing is easy enough to do to measure modulus... but I don't really know how I'd test out cold creep other than clamping a bar in a fixture and hanging a weight off of it for a couple years - to see how much of a "Set" it takes....
Thanks
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3rd January 2012, 07:52 AM #50GOLD MEMBER
- Join Date
- Apr 2011
- Location
- McBride BC Canada
- Posts
- 3,543
True, the book doesn't help much as the wood is cut unlike most quarter-sawn stock available.
I don't need to wait for "set," local lumber store has a bin of bananas out back!
Lots of derelict homestead buildings here in the valley, the set sag in the roof is extreme.
I suppose they were thrown together with fresh wood in that day and time.
Personally, my taste runs to beautifully book-matched tops and backs on instruments like guitars.
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3rd January 2012, 04:30 PM #51Retired
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- Oct 2005
- Location
- Bagdad Tasmania
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- 77
- Posts
- 1,504
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3rd January 2012, 05:20 PM #52Alumnus of Wood and Strings
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- Dec 2011
- Location
- Coffs Harbour
- Age
- 76
- Posts
- 113
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3rd January 2012, 08:04 PM #53Retired
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- Oct 2005
- Location
- Bagdad Tasmania
- Age
- 77
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- 1,504
Hi Barry, this is one thing I try not to do that is tell a luthier what to do as I am not a luthier, all I can do is comment on what my customers tell me and recommend what I know works and all I comment on was one customer used it for bracing and it worked and he loves it.
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4th January 2012, 09:43 AM #54Alumnus of Wood and Strings
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- Dec 2011
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- Coffs Harbour
- Age
- 76
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- 113
I get it....sorry
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4th January 2012, 10:08 AM #55Retired
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- Oct 2005
- Location
- Bagdad Tasmania
- Age
- 77
- Posts
- 1,504
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5th January 2012, 02:50 PM #56Mandolin, mandola and guitar maker
- Join Date
- Jun 2008
- Location
- Bega NSW
- Posts
- 131
Resawed half of my Huon plank today. Got 3 OM size sets from it, really nice clean and clear wood, amd it rings on like a bell. You get lucky sometimes. I bought it almost 20 years ago so is well seasoned! Bob, what have your customers been using for back and side woods with Huon?
Peter
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5th January 2012, 09:11 PM #57Retired
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- Oct 2005
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- Bagdad Tasmania
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- 77
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- 1,504
New tonewood supply
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21st December 2012, 08:56 PM #58New Member
- Join Date
- Dec 2012
- Location
- Melbourne
- Posts
- 1
Mando sides
Can I ask what you used for the sides? I'm planning an octave mandolin.
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2nd January 2013, 05:21 PM #59New Member
- Join Date
- Jan 2013
- Location
- Australia
- Posts
- 1
pine as a tone wood
a couple of luthiers in canada have been working with pine on basses for a few years now, from what i can gather, pine has a very similar density to basswood and has a bit more bite to the tone... im about to start a bass with pine and a red cedar top... only one way to find out how it sounds
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3rd January 2013, 09:30 PM #60
Its a funny thing but a few weeks back there was also a woman from Tasmania on another forum raving on about celery top pine. The posts read alot like the ones on an earlier thread of yours on celery top pine on the same forum...nice to see two Taswegians equally passionate about celery top pine
Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)
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