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  1. #1
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    Default Miniature Nude Figure Whittling

    She is carved from field Maple & stands 3 7/8 " tall on a 1" cube.
    It was carved entirely with 2 unmodified pen blades on a folder with the sole exception of the grooves which make her curls which would have been to tight a diameter spiral to carve easily with a knife,so I use a tiny "model dockyards " V-tool.
    Attached Images Attached Images

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  3. #2
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    Brilliant!

  4. #3
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    Nice work Mike, I find the small stuff extremely hard.

  5. #4
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    Apr 2011
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    McBride BC Canada
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    I've read, over and over, that a woman's face is a very difficult carve.
    She's beautiful, the face and body are in a believable proportion.

  6. #5
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    Thanks Whittling & Rob &Robsonvalley.
    Yes I find the small scale hard too, it took a long time when I had thought to work small on a hard wood like this - less to cut away I naively thought !
    Afterwards when I was thinking about it, I worked out that working at this scale 1mm = 3/4 " lifesize - AH ! the penny dropped it had all gone so slowly because I was having to take tiny splinters off each cut & even that was having a big effect on proportional balance with each cut , at the end of a long day the pile of shavings would not have filled a tooth ! I am quite certain that she could have been 2ft tall & taken the same amount of time or less.
    I am now thinking that there would be a happy medium size to work at for a given degree of complexity & this is below that mark by some way.

    Yes the female face at ay scale is thought hard to carve because I has to be so soft & without any deliniating lines , god knows if I can get a passable face I'm happy enough. The problem with carving the human face is that we can all recognise perhaps hundreds of individual faces assess their age ,their mood etc - we are genetically programmed with this subtle ability, you could hardly say that of a fox carving or whatever !

  7. #6
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    True enough about faces. I don't think I could recognize the difference between a happy or a sad grizzly bear.

    After some time, I realized that each of my carvings was bigger that the previous one (confidence?) and I pondered where it might end! Years later, my comfort zone is between 12" - 36". I have one, still leaning against the shop wall, that's about 65" tall. Some day.

  8. #7
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    Quote Originally Posted by Robson Valley View Post
    True enough about faces. I don't think I could recognize the difference between a happy or a sad grizzly bear.

    After some time, I realized that each of my carvings was bigger that the previous one (confidence?) and I pondered where it might end! Years later, my comfort zone is between 12" - 36". I have one, still leaning against the shop wall, that's about 65" tall. Some day.
    It's true, the bigger a carving is the more margin for error there is.

  9. #8
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    Very nice.

  10. #9
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    Wow! She is beautiful, well done!
    "We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer

    My blog. http://theupanddownblog.blogspot.com

  11. #10
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    Jul 2010
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    Great work.
    Cheers Frank.

  12. #11
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    UK
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    Thanks for your encouraging comments Christos, Sebastiaan & Frank which mean all the more coming from fellow carvers.
    This forum is perhaps especially valuable to me as I don't know any other carvers n the "real"(offline) world - so thanks to all.
    Cheers Mike

  13. #12
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    3 cheers for you Mike!. It looks fantastic.
    If I could offer 1 bit of constructive criticism it would be the hair on top of her head. The curls below look sweet but to my eye just a few line nicks on top would finish it off. Seems a bit smooth up there, especially from the back view.
    Cheers
    A.B.

  14. #13
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    Quote Originally Posted by artful bodger View Post
    3 cheers for you Mike!. It looks fantastic.
    If I could offer 1 bit of constructive criticism it would be the hair on top of her head. The curls below look sweet but to my eye just a few line nicks on top would finish it off. Seems a bit smooth up there, especially from the back view.
    Cheers
    A.B.
    Thanks AB, YES I agree, I thought that too but after a few practice nicks on scrap wood it became obvious that they would look too coarse, too sharp & dominant at this scale so I left them out. Truth is as well -when I'm getting that close to completion , the carving is getting ever more precious ( an inhibiting & bad thing) & I'm afraid of messing it up ! However you are definitely right in your judgment , I wish I had made her bigger because I feel I could have made more of her in a number of ways.
    Of all the arty/crafty things I have done in life I still find woodcarving to be the most difficult & challenging , with other arts & crafts you have a steady learning curve & with practice you reach a plateau , I still feel like I'm on the steep incline - perhaps that's why I keep coming back to it ?

  15. #14
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    Nice work, very nice

  16. #15
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    Thanks for taking the trouble to comment JJF.

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