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  1. #1
    Join Date
    Apr 2004
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    Back on the sunny Gold Coast from Japan
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    Default Some observations about Japanese craftsmanship

    I’m currently in Japan with SWMBO where we attended our niece’s wedding. I don’t watch much TV, but last night there was a program on NHK (I think), which is the Japanese equivalent of the ABC in Australia, that I found very interesting, and relevant to many of the problems that woodworkers face in Australia, and probably in most places around the world.

    The hour-long program featured a sukiya-daiku. Sukiya is a Japanese tea-ceremony pavilion, and the sukiya-daiku (sukiya carpenter) specialises in building these pavilions. Along with the miya-daiku (temple carpenters), these shokunin form the pinnacle of carpentry in Japan.

    The program and the shokunin’s work itself was fascinating, but beyond that, the program stood in stark contrast to anything that our TV stations attempt. I may be wrong, but I’ve never seen a program in Australia that presents the theme of craftsmanship in this way. Most of the comparable shows seem to be DIY efforts where everything and anything can be fixed with either a bigger nail, a bigger hammer, or both.

    I think it’s because of the perception this generates that people in Australia seem to want craftsmanship quality, but are not prepared to pay a fair amount for it. There are no misconceptions about this in Japan — thanks to TV programs such as this, people here seem to have a much greater understanding of what it means to be a shokunin, and know that the craftsmanship they offer is not cheap. If they want IKEA prices, they go to IKEA. This applies not just to woodworking, but to all the other crafts as well here.

    It’s a shame that some of our TV program producers can’t see past the current crop of confrontational reality rubbish, and find some true craftsmen (and women) and feature their work, without trying to find an angle. I know we have world-class craftsmen here so it shouldn’t be that hard to find them. Then, perhaps and hopefully, people would develop a better understanding of what is quality, what’s not, and the true worth of that quality.

    I’m not holding my breath waiting for that to happen, though.

    Just some idle ramblings before I leave to catch my flight back to Australia.

    Des
    See some of my work and general shoji/kumiko information at kskdesign.com.au

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  3. #2
    Join Date
    Nov 2011
    Location
    sydney
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    6

    Default

    Hi Des.K.

    I thoroughly appreciate what you have to say. It is tiresome to constantly see craft projects presented on TV as more than they really are. I love seeing the intricacies of high quality construction be it in wood or any other medium. It improves my thinking if nothing else.

    Lachlan

  4. #3
    Join Date
    Nov 2005
    Location
    Darkest NSW
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    3,209

    Default

    Good point, well made.

    Sorry state of affairs when some of our best talent finds it more effective to box up stuff and send it to a gallery in the USA rather than sell locally. The yanks are far more prepared to pay for top quality, one-off, craftsman made items it seems.

    Get the ABC to do a doco on him, finishing up with a shot of all his stuff being loaded into crates for shipping o/s.....just to make the point

  5. #4
    Join Date
    Nov 2007
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    belgrave
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    61
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    Yes its really frustrating that everything has to be done in the fastest time possible. And under budget of course! And they are always doing stuff out of MDF! One travesty I saw had the show's "artist" whipping up some "art" out of cut up MDF for a house that was owned by a REAL artist!

    Maybe we could have a show sponsored by Carbatech and Mathews timber where they show some real artisans doing work that has taken them years to perfect! Dream on!
    anne-maria.
    T
    ea Lady

    (White with none)
    Follow my little workshop/gallery on facebook. things of clay and wood.

  6. #5
    Join Date
    May 2007
    Location
    Gold Coast
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    70
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    Default

    I think ratings for shows like Grand Designs and the Antique Roadshow demonstrate the audience is there and discounting some of the reality/competitive cookoff shows there are a number of good foodie programs that have promoted quality local food and ingredients that have turned at least some people away from tinned soup and Maccas.

    The problem for the Aus networks is the perceived small audience vs cost of production and the required commercial return. When you have the likes of the ABC even dropping Art Nation from it's lineup there isn't much hope we'll see a local craft show anytime soon. That said I'd be happy to even see one of the secondary channels pick up some of the american woodworking shows rather than have yet another repeat of Bewitched or I Dream of Jeannie.

    Maybe SBS could even pick up some of the NHK stuff with the English language feed. I wish they would do that for their morning Japanese news that I occasionally stumble upon. I know they transmit an English option in Japan, why can't we also see that here?

  7. #6
    Join Date
    Nov 2007
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    belgrave
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    Maybe we could start a "slow make" movement to go with the "slow food" movement!
    anne-maria.
    T
    ea Lady

    (White with none)
    Follow my little workshop/gallery on facebook. things of clay and wood.

  8. #7
    Join Date
    Jun 1999
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    Westleigh, Sydney
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    A couple of Sturt graduates made Milton Workshop a few years ago, but don't think it lasted long, unfortunately.
    Visit my website
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  9. #8
    Join Date
    Feb 2006
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    Perth
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    27,810

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    Quote Originally Posted by tea lady View Post
    Maybe we could start a "slow make" movement to go with the "slow food" movement!
    I could open with an offer of "slow painting" , I have some exterior surfaces on our house I undercoated in 1979 that still need a topcoat? Mind you they also need a complete sanding and new undercoat.

  10. #9
    Join Date
    Nov 2006
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    Darwin HowardSprings
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    52
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    big brother house full of tools , machinery, foundry ect , fill it up with craftsmen and artists , have to produce i peace a week ,let them out to get materials ,, the lowest money earner gets the #### ???

  11. #10
    Join Date
    Mar 2008
    Location
    Lambton, Newcastle, NSW, Australia
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    Hear hear, I can't stand all those Block thingy shows, 60 minute makeover rubbish. Would love to get the Japanese version. I loved the Japanese buildings, temples etc when I there. True craftmanship. Its hard to sell someone a table for $5000 when they see them at Harvey Normoman or somewhere for $500.
    Instagram: mark_aylward
    www.solidwoodfurniture.com.au


    A good edge takes a little sweat!!

  12. #11
    Join Date
    Feb 2009
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    Bristol, UK
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    It's not just you folks in Aus with this problem. It's the same here in the UK.

    Yes there are a few people who are prepared to pay real money for what they want, but the majority look a something and make the comment 'It's only a bit of wood!'.

    They don't even understand the cost of the raw wood itself, never mind the time, effort, skill, and all the rest of the sundry items used in making that 'Bit of wood' into a quality something for sale.
    Dragonfly
    No-one suspects the dragonfly!

  13. #12
    Join Date
    Nov 2007
    Location
    belgrave
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    61
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    Quote Originally Posted by SawDustSniffer View Post
    big brother house full of tools , machinery, foundry ect , fill it up with craftsmen and artists , have to produce i peace a week ,let them out to get materials ,, the lowest money earner gets the #### ???
    No no! That's not the idea! No having to produce anything! Although I wouldn't mind being in there! Just have the time to think about art! Do we get someone else to do the dishes?
    anne-maria.
    T
    ea Lady

    (White with none)
    Follow my little workshop/gallery on facebook. things of clay and wood.

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