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  1. #1
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    Default Photographing your work

    I got a couple projects that I've just done. They're not the normal wood work type stuff and are proving difficult to photograph. Is there anyone on the Sunshine coast with a photography setup that would be interested in giving me a hand.

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  3. #2
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    Default

    What sort of project are you talking about? What sort of camera are you trying to use? What type of environment are you trying to capture them in?

  4. #3
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    I've been doing a lot of turning in ally lately so the reflective nature makes is difficult to get a decent pic. My camera is a Canon S2 IS. Not the greatest but definitely not the worst... I've never been into photography so I have no idea how to take a good picture... and was hoping for some help to come up with a solution.

  5. #4
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    Hi Toolin, I was in the same boat as you. Average point and shoot digi and could never get a decent shot.
    Did some reading, rigged up a light tent with a white bed sheet and played with the aperture settings and the shutter speed using the bright morning sunlight.
    You need to diffuse the light to soften everything.



    Best shots I have ever taken.

    .....
    I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.
    Albert Einstein

  6. #5
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    Just had a look at your camera on the net and it appears to be a pretty good one. You can use it fully manual including manual zoom?

    My suggestion is to do some research on using light boxes and diffusing/softening light and have a play with getting a really good clean shot of something simple like a teaspoon or a small hand plane. Keep shooting it to see the different effects of changing the aperture and changing the shutter speeds.

    Good photography is all about the lighting.

    Plus once you get good at it, you wont have to worry about paying anyone or waiting for someone to come around and shoot it for you. Hope this was some help.
    I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.
    Albert Einstein

  7. #6
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    Quote Originally Posted by martrix View Post
    Just had a look at your camera on the net and it appears to be a pretty good one. You can use it fully manual including manual zoom?

    My suggestion is to do some research on using light boxes and diffusing/softening light and have a play with getting a really good clean shot of something simple like a teaspoon or a small hand plane. Keep shooting it to see the different effects of changing the aperture and changing the shutter speeds.

    Good photography is all about the lighting.

    Plus once you get good at it, you wont have to worry about paying anyone or waiting for someone to come around and shoot it for you. Hope this was some help.

    That's why I put out a call. I was hoping to get some tangible input on the whole process of taking good pics of your work. Most photo equipment i.e. flash units (for lack of a better word) are expensive. So I'd like to see what others are using before I commit. And since most here are amateurs I thought there would be someone out there that would share the knowledge...

  8. #7
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    I just received my new setup last evening. Spent all night playing with it. It's from www.tabletopstudio.com or something like that and it is a foldable white fabric cube that comes in four or five different sizes. I purchased a complete kit that included two cubes (a 30" and a 12"), two big mercury lights on tripods and a host of accessories for $229. Lights up the subject completely with no shadows. And, since you don't use the flash on the camera, no hot spots. I'm using a Canon 30D.

  9. #8
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    Quote Originally Posted by ciscokid View Post
    Had a skim over that site. Great link Cisco, everything you need to know is there for shooting product with a digi.
    I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.
    Albert Einstein

  10. #9
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    A couple of shots from the studio. The apron is wrinkled because I just unpacked it. The instructions say that, if you do not want the wrinkles, an iron on a polyester setting will remove them. Also, while a white backdrop is standard, the company has a whole host of artistic ones available. More playing today to get the lighting better. I find that keeping the camera on manual settings works better than the pre-canned settings.

  11. #10
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    Quote Originally Posted by ciscokid View Post
    A couple of shots from the studio. The apron is wrinkled because I just unpacked it. The instructions say that, if you do not want the wrinkles, an iron on a polyester setting will remove them. Also, while a white backdrop is standard, the company has a whole host of artistic ones available. More playing today to get the lighting better. I find that keeping the camera on manual settings works better than the pre-canned settings.

    If I'm ever in Virginia will you show e your setup

  12. #11
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    Default

    Quote Originally Posted by Toolin Around View Post
    If I'm ever in Virginia will you show e your setup



    Photography techniques for highly reflective silver
    I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.
    Albert Einstein

  13. #12
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    Precisely, Martrix. The photo in the extreme lower left corner of that link you just posted is exactly what came in the package I bought. Light cube, aprons, and two special lights with tripods. There are also some miscellaneous clips and things for suspending objects. Table not included, but hey, we're all woodworkers here!

  14. #13
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    Back in the dark ages of film, highly polished metal subjects were often lightly dusted with talcum powder. Not so much that it didn't look like metal anymore, but just enough to reduce reflections of the camera, lights, and such. See if your library has any books on industrial photography for more tips.

    Joe
    Of course truth is stranger than fiction.
    Fiction has to make sense. - Mark Twain

  15. #14
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    Hi toolin around

    If you are intersted in photographing smaller items I reccommend you check out a couple of articles from some back issues of The Australian Woodworker NO 128 and 129. The articles cover building a mini studio and using inexpensives lighting to create different effects.

    I have just had a crack at trying to improve my photograpy and found that it can be a steep and expensive learning curve...but with some research and experimenting you can do it on the cheap and achieve pretty good results.

    So far one key thing I have found is as matrix mentioned is to diffuse the light. The two main ways to do that is to shoot the light source thru something translucent ( such as cisco's light cube)or reflect the light off something(such as white cardboard)...I use a bit of both. The lights I use, I either already had or just bought from bunnings.

    Check out the link below to see some of my earliest results

    http://www.woodworkforums.ubeaut.com...ad.php?t=45718

    Since going the build your own route I have been researching some more in an attempt to set up a studio to take photos of larger items and discovered that there is a whole heap of accesories on ebay that are reasonbly priced (I think they had light tents simlar to cisco's for around $20...but dont quote me on that ). So far my large studio set up consists of one of those twin 500w halogen work lamps ($23 at super cheap) and a white "shoot thru" umbrella (around $15 on ebay)to diffuse the lights.

    All I need to complete my studio is a seamless background and maybe a relfector to soften shadows.......oh ....and a digital SLR


    cheers

    BD

  16. #15
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    Default

    Quote Originally Posted by Toolin Around View Post
    I've been doing a lot of turning in ally lately so the reflective nature makes is difficult to get a decent pic. My camera is a Canon S2 IS. Not the greatest but definitely not the worst... I've never been into photography so I have no idea how to take a good picture... and was hoping for some help to come up with a solution.
    Dont know how serious you are or how frequently you plan on taking shots of your work, I agree with the other posters in this thread a good lighting setup is the ideal but as a quick fix to knock out most of the reflection from shiny objects think about a circular polarising filter, wont cost an arm and a leg is small and has other uses, i.e. landscapes, taming reflections off water etc, and should be available from most camera stores in the size you require.
    Jon.
    Jon.

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