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Thread: Making a Yew Caddy
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9th August 2011, 03:06 PM #16...but together with the coffee civility flowed back into him
Patrick O'Brian, Treason's Harbour
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9th August 2011 03:06 PM # ADSGoogle Adsense Advertisement
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9th August 2011, 04:54 PM #17
Nice Cadillacs
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9th August 2011, 05:03 PM #18.
I know you believe you understand what you think I wrote, but I'm not sure you realize that what you just read is not what I meant.
Regards, Woodwould.
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9th August 2011, 05:14 PM #19
WW, I assume the yew moulding slips you mitred and glued on are a sort of lipping around the panel for the lid, so the moulding would be struck into yew wood? Were the two short slips cut cross-grain so they appeared as end grain in the moulding?
memento mori
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9th August 2011, 05:55 PM #20.
I know you believe you understand what you think I wrote, but I'm not sure you realize that what you just read is not what I meant.
Regards, Woodwould.
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9th August 2011, 06:36 PM #21
Make a nice man box for the TV remote and 3D glasses
Two things are infinite: the universe and human stupidity; and Iīm not so sure about the universe.
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9th August 2011, 10:16 PM #22Jim
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A question WW. Was it really pure lead foil that was used to line tea caddies or was it alloyed with any other metal such as tin?
Magnificent as always.
Cheers,
Jim
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9th August 2011, 11:48 PM #23
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9th August 2011, 11:54 PM #24
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10th August 2011, 12:12 AM #25
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15th September 2011, 08:45 AM #26
Making a Yew Caddy - Part Two
The reproduction arsedine procured from Optimum Brasses is copied directly from eighteenth-century examples and cast in period-correct brass alloy.
The paper lining necessitated the underside of the lid to be unobstructed, so I shortened the pommel threads significantly and recessed the pommel nuts into the lid. The nuts were slotted so they could be tightened with a forked screwdriver once within the recesses.
I tidied up the brasses; filing off casting flashes and smoothing away grinding marks before buffing and colouring them.
The fettled and polished arsedine.
After polishing the exterior of the caddy, I attached the handle to the lid and plugged the nut recesses.
Pommel nuts recessed into lid.
The lid was attached to the box with a pair of small brass stop-hinges and the escutcheon was pinned to the front of the caddy.
The caddy, lightly aged.
I made a couple of sheets of combed marbled paper a popular pattern during the eighteenth-century and lined the caddy with it using traditional paste made from flour and water.
The stop hinges hold the lid open.
The marbled interior.
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I know you believe you understand what you think I wrote, but I'm not sure you realize that what you just read is not what I meant.
Regards, Woodwould.
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15th September 2011, 08:59 AM #27
I like the Tea Caddy but not a fan on the marble paper. Thank you for the update.
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15th September 2011, 09:18 AM #28
Nice work, sir
regards
Nick
veni, vidi, tornavi
Without wood it's just ...
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15th September 2011, 09:44 AM #29
Love it you have set a benchmark for my man boxes.
Two things are infinite: the universe and human stupidity; and Iīm not so sure about the universe.
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15th September 2011, 10:37 AM #30
Having been exposed to so much laminate veneered compressed oatmeal over the years, I don't think I have properly appreciated what can be achieved by a master craftsman with material that might otherwise have ended up in the firewood pile.
If you had asked me prior to watching this thread what a veneered box might look like, this is not what would have immediately sprung to mind! When I saw the original in the white, I was nonplussed by what looked to me to be a slice of questionable gum knotted wood glued over some offcuts of pine .
Another beautiful result, aesthetic balance and subtle understatement (lightly aged ).
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