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  1. #1
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    Default Do we need expensive hand tools?

    On another sub-fora I was stupidly sucked into what was described as a "flame war" by a couple of posters with opposing viewpoints.

    There were some interesting and valid arguments used in opposition to my opinions.

    One in particular struck a nerve with me: that you need high quality (and expensive) new hand tools to achieve good results.

    I have neither. My tools are generally old. Some positively ancient. Some of my oldest chisels (Ward & Rob't Sorby) picked up cheaply, gifted and inherited, are of the laminated steel variety, with a thin layer of extremely hard steel forge-welded to a softer body. These take an edge with difficulty, and hold it with tenacity. Others are Stanley-Titan and Marples, bought new in the 70s & 80s, or picked up from markets which perform well, and seem to have pretty good quality steels.

    Likewise, my saws, from an eclectic mix of English & Australian makers seem to perform well. Teaching myself how to sharpen them resulted in requests for the service from colleagues and through word-of-mouth. There's a satisfaction in having a freshly sharpened saw positive "sing" its way through a board. However, there's no future in saw doctoring: it takes an hour or more to top, breast, set & file a saw in poor condition, and while the results are satisfying, the financial reward isn't. Sure, an embroidery needle will slide down between the neatly set rows of teeth, and the saw will cut well, but so will a $10 Jack.

    Are these obscenely expensive Wetzloff or Lie Nielsen saw really better than a well-sharpened $10 Sandersen or Symmonds from the market? Likewise the chisels that cost tens of dollars, or hundreds in the case of some exotic smithied Japanese ones must be better than a $5 market pickup.

    At some point the law of diminishing returns must apply. Or is the quantum of difference that great? I'm doubtful. Metallurgy, while a bit of a black art, isn't magic. Surely the products of mass production from the steel mills in Sheffield or Port Kembla a century ago aren't so far removed from those of contemporary mass production?

    Hand planes are an even more extreme example. The cost of planes from premium makers beggars belief. All but one of mine are second hand, and old. Canadian, Australian and American Stanleys, an English Record T5 "Technical" Jack that was designed for schoolboys to use, a pre-war Stayset smoother & 3 in 1 shoulder/chisel/bullnose. None are all that special, yet after basic lapping, cleaning and fettling all seem to do good work. My most used plane, and my favourite, is a late 70s early 80s vintage 60 1/2 low angle block plane, now into it's 3rd or 4th blade. The only "new" plane I own.

    An 8, 6, couple of 4 1/2s, a few 4s, a 3 (my favourite smoother) a few Blocks, a Carter "78", combi shoulder/bullnose and a Router Plane. Worth I guess a couple of hundred the lot.

    Yet I have been told that I should spend thousands on a new suite of HNT Gordon (whoever s/he is) planes to be more effective. Why?
    I don't get it.

    Sure, there's expensive old planes too. I've seen some fairly ratty old Spiers, Mathiesons and the fabled Norris planes sell for literally King's ransoms. The primary reason, I suspect, is more to do with their rarity than their utility. A hand made, hand dovetailed, gunmetal & brass rosewood stuffed Panel Plane is a thing of beauty to behold. Probably even a work of art. I'm sure it also planes well too. But few can afford to buy one, and even fewer can afford to actually use one, for fear of damaging such a precious item. I never will. The deposit on my house was less money than one of these cost.

    Given the amount of time to make, and the level of skill involved in their construction, they were always expensive and rare. In fact, as millions of lesser tools are worn out, damaged and lost these rare beauties would have been treasured and preserved. Meaning that back in the day of their construction (late 19th/ early 20th centuries) they were relatively even rarer then than now. Given a journeyman's meagre wages, it's more likely that "gentleman hobbyists" were the makers' key customers.

    Is that still the case today? Do most of us "make do" with old, recycled tools acquired cheaply and restored to usefulness? Are the products of Lie Nielsen, Veritas, HNT Gordon and Wetzloff et. al. really for the well heeled connosseur hobbyist or for everyman?

    Who uses these fancy, expensive and beautifully designed wonders, & are they actually as good as the makers and marketers would have us believe?
    Sycophant to nobody!

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  3. #2
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    I think there are a number of factors here.

    I have mostly old tools, some of which belonged to my Grandfather and some of which I have picked up here and there. I have a very small number of 'new' tools, including a Veritas block plane and some Two Cherries chisels. However I improved my Stanley #4 smoother (Canadian) by adding a blade from Thumbsucker's group buy. So having the better steel has made a difference, both in performance of the plane and duration of the edge.

    There is no doubt that there have been advancements in such things as metallurgy and tool design, largely due to the fact that people these days have the measuring equipment and the time to examine things to the nth degree.

    Having said that, a lot of wonderful things were built with the old tools and so the results speak for themselves.

    I can see your frustration but I don't think anyone can tell you that you need to buy these things to improve. At the end of the day, it's down to whether or not you are satisfied with the results you are getting. In some cases (the Domino being one) I think that these new tools DO make the job easier, or at least the results more consistent for the hobbyist. But if you can already cut a neat M&T, the only benefit to you will be time.

    If you are into it because you enjoy using hand tools, then there is no point buying a power tool to do the job. You are only eliminating the very reason you enjoy the process.

    Personally, I mostly use the tools I've got and rarely buy new stuff. I use M&T because I don't need anything more than the two bits of wood I'm joining and the tools I have in my cupboard to do it.
    "I don't practice what I preach because I'm not the kind of person I'm preaching to."

  4. #3
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    Who cares what tools one has,woodworking is so much more than the tools. If in the journey of your woodworking life you end up with high end tools out of the passion,love and respect for them so what. If you don't so what. At the end of the day it's what you make with what ever tools you have.


    Frank.

    In trying to learn a little about everything,
    you become masters of nothing.

  5. #4
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    Some years ago I hosted a representative group of the Danish Guild of cabinetmakers on a tour of the state. They were displaying a brace of "Anniversary Cabinets", each individually made and showing varying but universally high levels of craftsmanship.

    We called into Hobart Town to view a couple of particularly fine collections of historic pieces on exhibit. One bequeathed to the Tasmanian Library of all places was hidden away in their basement, and guarded by a rather officious member of staff, who would obviously have rather been doing something else by her overall demeanour.

    One particular fine piece, described as Chinese, sparked interest. One of the guests remarked "no, it's Dutch reproduction this is just like one my boss has". The staff member in a haughty manner asked "oh and who might that be?" He replied "Queen Margette: She has it in her sitting room. I look after the palace furniture, it came from the workshop of ......(dutch maker). I had to repair a split in one of the drawer bottoms, and can you see how this veneer is starting to peel in the same place as the one at home?"

    What a change - from haughty indifference to fawning obsequience in a heartbeat. Down came the barriers, out came the cotton gloves, and we all had unparalleled opportunity to get in close & maul the furniture, admire the inlays and marquetry and generally get up close and personal with some truly spectacular world-class craftsmansip from some of Europe's finest workshops of the 18th & 19th centuries.

    The irony is that for all that definitely some, probably most, and possibly all of these priceless pieces weren't actually made by their famous makers. Sheratons, Chippendales and Hepplewhites are out there in surprisingly large numbers. Far more than could actually ever have been made in a lifetime by any maker. Because they didn't make them. Their apprentices did, supervised by craftsmen.

    I guarantee these lowly paid apprentices didn't have the latest & greatest tools either. Just the same type of hand-me-downs the rest of us use.

    It's nice to have a good tool, but it's great to have a familiar one too. My little block plane is small enough for my pocket, and is a constant warm companion for those small tasks like softening an arris, cleaning up a chamfer or a light trim for a better fit. After 30 odd years its almost part of my anatomy. Hell, the bloody thing even comes in with me at night and spends it's evenings on the living room mantlepiece when I empty my pockets. There's little more discomforting than a lump of cold cast iron in the pocket on a midwinter's morning.
    Sycophant to nobody!

  6. #5
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    Quote Originally Posted by Ratbag View Post
    that you need high quality (and expensive) new hand tools to achieve good results.
    No one can be that stupid. Surely!!
    Visit my website at www.myFineWoodWork.com

  7. #6
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    I've been saving for 2 years for a festool toothpick, I'm sure it will make my teeth picking much more pleasant.

  8. #7
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    I believe the tools dont make the trademan.

  9. #8
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    This thread could easily degenerate into a 'flame war'!

    Expensive is separate to 'value for $', and both only really apply to things that have a re-sale market, are used for production or trade, or are an essential. Trying to apply the concepts to a hobby is always going to be fraught as you could always say that the hobby is not essential and therefor wasteful of money!

    I suppose the issue could be 'resolved' by thinking of whether a wedding 'needs' to be expensive. Some couples are happy with a registry fee and pop in at lunch, others need the whole shebang.
    Try to convince the bride that wants the whole shebang that she doesn't need to suffer the expense, and you will only get a dirty look.

    Additionally there is a whole section of marketing that relies on the motivations behind purchasing which has nothing to do with value.

    One of the problems with this issue, other than the definition of 'expensive/value for $', is that people often need to justify their decisions/purchases by convincing themselves of 'value', and need to have others chorus agreement that that value exists.
    Also, what is expensive to me may not be expensive to a richer and more spendfree person.

    So... the whole question is vexed with ambiguities!

    My opinion is that you don't need expensive tools.

    My $60 Ryobi electric drill works well enough that spending lots more money on a Festo is just not worth it.

    I was happy to pay more for an old scraper plane than a similar condition No 4, as scrapers are rarer and I wanted one - that is recognizing relative value - however if someone suggested that I needed a hand made, infill, aircraft tolerance machined one to make my work better, then I'd consider them simply more willing than I to spend $. BTW, the scraper plane was more expensive than a lifetime supply of card scrapers!

    That said, for most of us working in wood is a hobby, and if part of that hobby is to feel satisfied in owning expensive, value for dollar, or cheap tools... then whatever floats your boat!

    Enough philosophizing for me!
    Cheers,
    Clinton

    "Use your third eye" - Watson

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  10. #9
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    There is a lot of market pressure and hype amed at the woodworker same as any other comsumer group. That is modern life in the global age. Every man and his dog trying to tell you what you must have to be fullfilled. The cosmetics and fashon sectors would be the worst offenders but the marketing works to a point otherwise they would not bother with it.
    Woodworkers in general must be a hard nut to crack for marketers due to woodworking being a very practical activity so done by people with practical minds. In general less likly to be swayed by fads and slick adverts. Our aim is to get a job done so we mostly get the tools needed for that.
    Most of us have a mix of old and new tools because we have to budget but we still want good tools. New tools go from worse than very bad to quite good but the good stuff is expensive. The old sorby, ward, marples, tyzak and the like were expensive in the day and stuff like norris would have been quite expensive. The difference today is the sheer amount of utterly crap tools aimed at the DIY person. Tools so bad as to be not fit for purpose. I can only reason these tools get produced at all because the makers trust the marketers to sell them.
    There I have talked it round in a circle!
    Regards
    John

  11. #10
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    It is no different to just about any other pursuit/hobby/recreation I can think of.

    Some people are only interested in results, some people like the equipment, some people are collectors, some people can't afford to spend much and make do very well, some people go absolutely over the top and never produce anything worth mentioning.

    Why should woodworkers be any different?
    "I don't practice what I preach because I'm not the kind of person I'm preaching to."

  12. #11
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    I don't think you need expensive tools but I do think there is a certain minimum standard of quality below which the tool starts working against you rather than for you. The old tools you described must meet that standard or else they would frustrate you in use.

    There are two complicating factors. The first is skill. The more skill you have (up to a point) the less the quality of the tool matters. Also what does expensive mean? I paid about $300 for four Veritas back saws: 2 dovetail saws, a crosscut saw and a rip saw. Was that expensive? Maybe it was but I have had them for a few years now and when I die my son and then my grandchildren will have them. Now I could have paid a few hundred dollars,for each saw from other sources and to me that would have been expensive. Same with chisels. I have a set of Narex bevel edged chisels and another set of Narex mortice chisels. With postage maybe less than $250 for the lot. Was that expensive? I don't know the answer to that. I have used LN chisels and the Narex work just as well I think so maybe they were not. I suppose I spent about $300 on one Veritas plane and next to nothing for all the rest, picked up from markets and garage sales. I like the $300 plane but unless I find a wealthy relative somewhere old plane will do me.

    It it does seem that some tools are just ridiculously expensive. And I doubt that the difference in the price is justified by any potential difference in performance.
    My age is still less than my number of posts

  13. #12
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    Hi,
    The quality lasts long after the price is forgotten. So which side am I on? Yes you have to pay for new quality but equally the quality is still there when the price, and original owner are long forgotten, when you buy generations old tools, the cheap and nasties have long since been binned.
    Now I suppose I will be talking with a squeaky voice, they say that is what happens when you have a foot on each side of the fence.
    Regards
    Hugh

    Enough is enough, more than enough is too much.

  14. #13
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    There's a few things to mention, and the primary one is that skilled hands with not so good tools will do a better job than unskilled hands with a superb version of the tool. But at the same time, I would think it might be better to learn with a good tool rather than a lesser tool.

    Does more expense necessarily make it a better tool? I think that would be quite variable, and many of the tools made have quite some additional bling which is clearly marketed towards the amateur rather than the pro. Doesn't make the tool function any better at all but for many (amateurs) holding a nice looking tool inspires them to do better work.

    Another point that hasn't been raised is that if the current hand tool makers are not supported then all those skills and the future supply of tomorrow's old tools will die, and that would be a disaster. In *that other thread* I quoted an example of an HNT 1" Shoulder plane (Gidgee and Brass for practical reasons - not just bling - HNT don't make bling planes very much except for the occasional use of some gorgeous timber that adds nothing to performance).

    The cost of that plane is about 1 to 1½ days wages ($185 inc GST), so I wonder what the cost of a Shoulder Plane in terms of how many days wages would have been back in the day. Possibly not too much different. In the case of my own HNT Shoulder planes I supplied some Dead Finish timber for the set. Why? Simply because I could. It will add value to them, and I would imagine that if I ever came to sell them and they were up against a set of the normal Gidgee planes at the same time then mine would probably sell first. That's not a major consideration, but certainly has merit. I've only really started accumulating woodwork specific tools over the last 3-4 years and i made an early decision that I would only buy the tool once. This has paid off when I have decided to sell a few of them (to raise funds for a thicky/jointer) because I was selling quality tools and they sold quickly and for good money.

    One other point: Would yesteryear's craftsmen have used power tools had they been available? I would think a resounding "YES!" in a heartbeat. Put them in front of a Mitre Saw with an 80 tooth blade and show them how stupidly quick and accurate they are with an end grain cut surface to die for and they'd want to know where do you get this magnificent tool. Then show them how it will do mitres and compound mitres to a 300mm wide board and they'd be forming a very disorderly queue!

    And to the nitty gritty of *that other thread*: would they have wanted a Domino (at least for many of their tasks)? You betcha! To them, as it it is to today's pros, time was money. Dovetail joints were only done for practical reasons - strength - and were pretty much always hidden where possible (as far as I can make out, anyway). It's only nowadays, in the face of diminishing skills because of machine replacement, that Dovetails have become elevated to the status that they have. DTs (and M&Ts ) were just they way things were done then.

    Even a member who could arguably be described as the forum's biggest aficionado of handplanes purchased a Thicky/Jointer earlier this year, to do the heavy lifting.

    Horses for courses. If you have the spare dough then support the current handtool makers, otherwise do what you need to do (which will support the second hand market, and that's a good thing too).
    Regards, FenceFurniture

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  15. #14
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    A lot of those old 'user' tools would be a lot cheaper if it wasn't for the tool collectors paying top dollar

    I don't know. There is just so much to it. Take planes for example. A lot of people argue that we need this and that because the old Stanley plane designs were fine for the timbers in use at the time but struggle with our hard woods. I suppose you'd have to agree to a certain extent. So there have been experiments with bed angles and blade orientation and cap irons/chip breakers ad-nauseum.

    Does it make a difference? I suppose if you had a particularly curly bit of grain, you would toss it out or use it somewhere that it won't be seen rather than try and make it look nice. With the price of timber and the appeal of that sort of grain, I suppose if you had a plane that can tackle it, it's worthwhile. Personally, if I come across something that my smoother and card scraper can't handle, I don't waste my time on it. But others see the value in it and so go out and buy the HNT Gordon planes or the Lie Neilsen low-angle smoother or whatever.

    So that might be an example where a more expensive tool might let you work with materials that you otherwise would avoid.

    Then there are the efficiency improvements like the domino, and I suppose things like the electric router would have been in that category a few decades ago. The price puts them out of the reach of the average DIYer until they become more common and then everyone has one. Whether the domino winds up in that category remains to be seen, but I suppose once the patent expires they'll be selling them in Aldi.

    However I think the main complaint here is the perceived elitism that goes with it. The suggestion that to be any good, the tool has to have a big price tag or come from a prestigious maker. I'm sure there is an element of tool snobbery with some people anyway. But I look down my nose at those who own tools that are not at least 50 years old. They just don't make them the way they used to
    "I don't practice what I preach because I'm not the kind of person I'm preaching to."

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    Hi,
    On the other hand the tailors did not welcome the sewing machine, it meant any one could sew.
    Regards
    Hugh

    Enough is enough, more than enough is too much.

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