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  1. #1
    Join Date
    Oct 2008
    Location
    Ottawa, Ontario, Canada
    Posts
    16

    Default A small (but heavy) gloat

    I rarely post on this forum as the majority of items are foreign to me and your knowledge far exceeds mine. That said, I have learned a lot about the care and feeding of hand tools from you and hope you keep up the great informative posts I have enjoyed.

    I recently came into possession (for a quite reasonable price) of a dovetailed infill (Brazilian rosewood) coffin smoother, with a Mathieson and son stamp upon the bun. The estimated production date ranges between 1860 and 1880. The blade is a Marples and Sons cast steel with a lot of life left.

    It is something I have lusted after after using Konrad Sauer's own smoother of the same design. Given that Konrad's planes are more than a bit out of my price range, I bought this from a local well respected tool dealer for about 10% of Konrad's gems. The sole took some work to remove the small depression in front of the mouth (1/2 hour, perhaps), the blade needed a fair bit of elbow grease to remove the ruler trick back bevel (a pain in the _ss if one is using a honing guide and removing the burr after every stone). A couple of really ugly cardboard shims (temporary) to close up the mouth (to be replaced with brass once I've got it fully sorted) resulted in regular 1-3 thou shavings - 1 to 2 though generally. The resulting surface on mild grained cherry is almost glass, while the gnarly walnut came out rather well. The plane has yet to meet the Veritas BU smoother standard (or the Marcou that I had a chance to use some time ago), but I believe the potential is there.

    The foregoing, notwithstanding, it feels sooooo good in one's hand (how many thousand calloused hands have wrapped around it?). Some practice setting the iron (infills are not nearly as forgiving as wooden planes) and I'll be good to go.

    By the way, Konrad gave me some excellent advice on tuning and setting this plane via email and over the telephone. He is a very nice and knowledgeable guy who loves both wood and metal. Check the cover of the latest LV catalogue for some of his wood work - stunning Lee Valley Tools - Online Catalogs. If you are unfamiliar with Konrad's work (no relation by the way), check this out (hide credit card first) Sauer & Steiner Toolworks.

    I will try to post the photo of the plane (not sure if I have posted enough to allow photos) - the mouth is not nearly as wide as the photo would suggest. I thought you ladies and gentlemen would enjoy a look.

    I wish I had been able to meet Derek C when he was here freezing his b_tt off and catching the flu - poor shivering soul. Ottawa is reputed to be the coldest capital city in the world - some days I would agree, but I'm used to high and low temperatures. BTW, Nepean is a former suburb of Ottawa sucked up into Ottawa in a brilliant move from on high.

    Coffininfill.jpg

    Cheers from Nepean (Ottawa)

    Jack

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  3. #2
    Join Date
    Nov 2007
    Location
    Melbourne
    Posts
    1,139

    Default

    Hello Jack,
    That's a very interesting plane.
    I'm looking at many of the planes marked Mathieson, and trying to work out who actually made them.
    If it isn't to much trouble, I would love to see a close-up of the front of the bun, and also the back of the plane.
    Is the back infill made in 2 parts? I can see a line across the back of the front infill...is that 2 pieces as well?
    Have a look at this page to see some of the planes.
    Infill Planes marked "STEEL"
    I still have a page in preparation on the Mathieson planes made by Spiers, like the one below.
    Regards,
    Peter
    In Main Ridge, VIC.
    Australia.

    edit: I just added a picture of another smaller infill, also made by Spiers, marked Mathieson.



  4. #3
    Join Date
    Oct 2008
    Location
    Ottawa, Ontario, Canada
    Posts
    16

    Default Photos as requested

    Heel.jpgStamp.jpg Both the front and rear infill may be joined, however the grain matching is so good that it is hard to be certain. I apologize for the poor quality of the pictures - as a photographer I would make a good bricklayer. I tried a bit of white chalk to highlight the stamp. I hope these help.

    More information with respect to its origin would be welcome from a purely academic point of view. Since I am a user rather than a collector, my major concern is performance.

    Cheers

    Jack

  5. #4
    Join Date
    Nov 2007
    Location
    Melbourne
    Posts
    1,139

    Default

    Quote Originally Posted by Jack in Nepean View Post
    Heel.jpgStamp.jpg Both the front and rear infill may be joined, however the grain matching is so good that it is hard to be certain. I apologize for the poor quality of the pictures - as a photographer I would make a good bricklayer. I tried a bit of white chalk to highlight the stamp. I hope these help.

    More information with respect to its origin would be welcome from a purely academic point of view. Since I am a user rather than a collector, my major concern is performance.

    Cheers

    Jack
    Jack,
    Thanks for taking those pictures!
    Performance is something special with these planes.

    The origin of these planes is of special interest to me. Especially those marked MATHIESON only on the front bun, and a little unusually, those marked the correct way up.
    I have 6 of these, and only one is marked like yours, the correct way up. All the others are marked upside-down. Something Spiers did often.
    Unfortunately the pictures do help me a little, but the mark on the front is a bit blurry.
    What I'm looking for is identifying planes marked with the same punch.
    So, I'm looking specifically at the position of the star in relation to the crescent moon.
    The position of the star, both vertical and horizontal position, and in relation to the word above it MATHIESON.
    The spacing of the letters in that word, particularly if the the A is closer to the M than the T, and spacing between E&S.
    I can see some of these features but they are a little blurry. I would love to put it next to another picture I have (CSI style) and compare them.

    There are few things that will help when taking pictures of planes.
    Make certain the image is in focus, even if the object is small in the frame. (The image can be edited in some software to fit the frame later)
    Look to where the light direction is, and let it hit directly on to the feature on the object, like your second picture. (usually over the shoulder from behind you)
    Make certain the plane can't move, and steady the camera in some way, rest it on something.

    Thanks again,
    Peter

  6. #5
    Join Date
    Aug 2009
    Location
    Armadale Perth WA
    Age
    55
    Posts
    4,524

    Default

    Peter, do these marks relate at all to the stamps on wooden planes .. and cap-irons?
    Or is it a infill-factory thing?

    Thanks,
    Paul

  7. #6
    Join Date
    Nov 2007
    Location
    Melbourne
    Posts
    1,139

    Default

    Paul,
    There were plenty of tools in the Mathieson catalogue that were subcontracted out to specialist makers who had punches to mark the goods.
    I have a collection of about 20 name punches that were in the estate of a local goldsmith who worked in Melbourne early in the 1900s. It includes other jewellery makers from the same time, and retailer's marks as well.
    I have no doubt the tool makers had the same arrangement.

    My interest is … who made the infill planes. Plenty of the Mathieson planes were made by Spiers.
    Although the rear infill is two piece, like Spiers, the lever screw on Jack's plane doesn't look like a Spiers plane. It looks more like one made by Holland, but what I can see of the mark, it look very like another one I have.
    Regards,
    Peter

  8. #7
    Join Date
    Oct 2008
    Location
    Ottawa, Ontario, Canada
    Posts
    16

    Default Better picture of stamp

    Lightwood, this one turned out a bit better. Stamp1.jpg Hope this helps.

    I should note that the only other identifying mark on the plane (that I have found) is the numeral 2 on the inside of the lever cap.

    Under the above magnification, it does appear to me that the bun is in fact 2 pieces - although the grain match is very very good.

    Cheers.

  9. #8
    Join Date
    Nov 2007
    Location
    Melbourne
    Posts
    1,139

    Default

    Quote Originally Posted by Jack in Nepean View Post
    Lightwood, this one turned out a bit better. Stamp1.jpg Hope this helps.

    I should note that the only other identifying mark on the plane (that I have found) is the numeral 2 on the inside of the lever cap.

    Under the above magnification, it does appear to me that the bun is in fact 2 pieces - although the grain match is very very good.

    Cheers.
    Jack,
    thank you very much for taking that picture. You have done brilliantly well!

    Thanks again,
    Peter.

  10. #9
    Join Date
    Oct 2008
    Location
    Ottawa, Ontario, Canada
    Posts
    16

    Default An update

    Yesterday I swapped out the Marples iron for a Ward cast steel of the same era. I had closed up the mouth to about 0.006" using cardboard shims. Slightly different technique - pushing the plane forward using a lower grip and not putting any downward pressure with either hand - letting the tool do the work . Success!!!! Wispy sub thou shavings on cherry, maple and some gnarly walnut. The final test was on some highly figured birdseye maple - no tearout whatsoever. I was as excited as a 4 year old on Christmas morning (not a pretty picture since I won't see 60 again), but exciting nonetheless.


    Cheers

    Jack

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