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Thread: Reference for square edge
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23rd August 2012, 05:55 AM #16
I'd say certainly learn without a guide. When you know you can do it if you want to then the guide is still an option.
I can't take credit for the idea, it is just something I've read long ago. It isn't envisaged, I think, to line up with something but rather to let you see when you change your angle.
If you pencil all along your edge, like Derek said, and take a steady pass without tilting the plane, you won't necessarily remove all the pencil first go (depending on the edge) and you won't necessarily be square, but hopefully you can be consistent and learn how the feel of the plane relates to the angle you are achieving. If you can get one angle consistently, then you will certainly then be able to get square after that.
It might be worth taking a video and putting it up in case these guys might have advice on posture, cutting depth, speed etc. (??)
Cheers,
Paul
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23rd August 2012, 11:56 AM #17
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23rd August 2012, 06:57 PM #18
That raises one other 'option' that might also help (?) or just be another skill to practice.
I was intrigued the first time I heard - probably from Chris Schwarz I'm guessing - of marking a board (with 5 flat square sides) to depth and taking the last side down to that mark with a handplane. I really struck me that that was even possible, and I was really pleased when I tried it and it worked.
In particular when you are "inch"-ing down to a knife mark and it starts splitting that mark.
So I thought, even for an edge (on 300mm), you could mark across your board on the flat side, continue the mark across the two edges, and join them on the far side. Then if your marking-out is good enough, you will have to have a square edge by carefully removing material down to your knife mark.
The sides themselves wouldn't even need to be square, you just need to make them square where the mark will be.
I don't suggest it as "the way to plane a square edge" but might be a useful exercise, change of pace if you've been doing the same thing a lot, and the mark all around would give you a goal to get to and an indication of progress.
Plus, if you mark it so there's 10mm or so of wood to remove, you can get out the scrub plane and have some fun hunking off some fat chips before going back to a 4/5/7.
BTW - did you say the dimensions of the board? 300mm x ? x ?
Are you working on something roughly like in Derek's photo?
Cheers,
Paul
BTW - I thought it might have been the video "Coarse Medium Fine" by CS. It wasn't, but he does use a scrub and a rasp in that video to come down to a (curved) edge. A plane or spokeshave would follow that up.
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23rd August 2012, 09:59 PM #19
Hi,
Rather than take some pics i did a quick video. You'll have to turn your sound right up to hear me explain though, it was pouring with rain and any of you with a tin shed knows what that is like!
Hand plane grips - YouTubeLast edited by DavidG; 17th October 2012 at 12:33 PM.
1915 17"x50" LeBlond heavy duty Lathe, 24" Queen city shaper, 1970's G Vernier FV.3.TO Universal Mill, 1958 Blohm HFS 6 surface grinder, 1942 Rivett 715 Lathe, 14"x40" Antrac Lathe, Startrite H225 Bandsaw, 1949 Hercus Camelback Drill press, 1947 Holbrook C10 Lathe.
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23rd August 2012, 10:06 PM #20
hi Tiger
one additional technique is where you place your index finger of your dominate hand
I find I have most control when I hold the rear handle with my middle, ring and little fingers -- I place my index finger alongside the blade, and my thumb sort of rests on the fingers holding the rear handle
I'm not sure of the biomechanics but it's something to do how extending your index finger acts to partially lock your wristregards from Alberta, Canada
ian
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23rd August 2012, 11:44 PM #21
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24th August 2012, 10:15 AM #22
Ian, I tend to agree with you on many things (must be something to do with the name ), but not on this one. Without boring you with an anatomy lesson, let me just say that pointing your index finger does little or nothing to 'lock' your wrist, though it probably helps by contibuting a little more information to your brain about where your wrist is in space, as when holding a saw with the same '3-finger' grip. I think the reality is, that's how you were shown to hold the rear handle/tote, & that's what you grew used to & what you are now comfortable with. It's certainly the case for me - I feel quite lost with nowhere to place my 'spare' finger on Veritas BU planes!
I think the variety of answers might indicate that there are several ways to hold a plane for jointing, & they will all work, it's a matter of what suits you. The important message is that you need to persist & practice 'till the muscle-memory (aka 'skill') arrives, & you can plane a square edge without thinking too much about it.
Cheers,
PS. While I'm sure Uee's 'double fence' hand-hold works, I think I would prefer to collect the occasional splinters in one hand only......IW
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24th August 2012, 10:49 AM #23
Thanks Paul, that may be a useful exercise, will try that and see. Also big thanks to Ewan for making that video, I can clearly see what you're doing and will give it a try nothing to lose and I've tried just about everything else anyway.
Ians, you're right, there are many ways of holding the plane and getting an acceptable result, I'll keep trying but probably need some more exercises so if anyone knows of some exercises that develop all-round planing skills please let me know.
BTW if you're thinking of getting a video to help you with your planing skills Using a Hand Plane by Ian Kirby is not the one. He spends approx a minute on planing an edge, sets it up on his bench against a planing stop, a couple of swipes with the plane and then says it's square, not much about the body mechanics or anything else, it may be the most useless video I've seen.
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24th August 2012, 07:54 PM #24
Its just like the old saying, "There is more than one way to skin a cat" you just need practice and a technique that works for you. I will say, on shorter work i don't really use the double fence technique (as IanW called it) , but it comes in handy on longer work especially with a no7, and work that approaches the width of the blade.
If your worried about splinters, i would say find another hobby! My evening ritual used to be come home, pour beer(medicinal of course, used as a numbing agent), sit with tweezers and a pin and pick out the splinters! As much as they can hurt i'd much rather have splinters than cuts from melamine!
The other thing that makes it a lot easier is to wax the sole of the plane. Not just any old candle wax either, get some paraffin wax, the hard stuff. It removes the need to push as hard an therefore allows better control.1915 17"x50" LeBlond heavy duty Lathe, 24" Queen city shaper, 1970's G Vernier FV.3.TO Universal Mill, 1958 Blohm HFS 6 surface grinder, 1942 Rivett 715 Lathe, 14"x40" Antrac Lathe, Startrite H225 Bandsaw, 1949 Hercus Camelback Drill press, 1947 Holbrook C10 Lathe.
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24th August 2012, 09:23 PM #25
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27th August 2012, 09:19 PM #26
you could be right
However, I remember a Veitnam vet showing me how extending the left index finger along the barrel of an F1 machine gun really helped with controlling where the bullets went.
It's certainly the case for me - I feel quite lost with nowhere to place my 'spare' finger on Veritas BU planes!
I think the variety of answers might indicate that there are several ways to hold a plane for jointing, & they will all work, it's a matter of what suits you. The important message is that you need to persist & practice 'till the muscle-memory (aka 'skill') arrives, & you can plane a square edge without thinking too much about itregards from Alberta, Canada
ian
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