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  1. #1
    Join Date
    Mar 2004
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    12,127

    Default In search of perfect curves...

    On a plane, that is..

    Curves on metal planes serve both practical & aesthetic functions. Looking at a plane from the side, the dip behind the front bun opens the escapement area up more, allowing shavings to spill out (or be flicked out) more easily. But then the sides need to be raised to provide a place to locate the lever-cap axle. These are “practical” curves, others may be added purely for decoration: 1.jpg

    Then of course, there are various curves on the woodwork. The curves of the rear stuffing can have quite a big effect on overall appearance. For my very first infill, I was influenced by saw handles when sculpting my handle & it got a bit fussy. Old infills tend to have a more simple oval finger hole. 2.jpg

    You can also apply curves in another plane, i.e. to the sides of the sole rather than having straight, parallel sides. A common shape applied to smoothing planes was the so-called “coffin” shape, where the toe curves in a little, while the rear tapers to about the thickness of the handle. 3.jpg

    On my first infill, I decided to give it curved sides, which was not the smartest decision given my state of ignorance of metal plane making. I had many anxious moments trying to bend the sides to the sole shape, but my main mistake was in not fully appreciating how the curve of the sides could impinge on lever-cap function and lateral adjustment of the blade. With #1, the front curve starts a little too soon and the toe of the lever cap had to be rounded a bit to allow it to rotate freely. (I’ve since seen several old infills with similarly-shaped ends on their lever caps, so my ‘design flaw’ is far from unique.

    Curving the sides in too soon or too much behind the mouth can create another problem; it may restrict lateral adjustment of the blade. This happened to me with this small rear-bun smoother: 4.jpg

    I began the taper too far forward, so the body is a couple of mm narrower than the maximum width at the point where the blade emerges at the top. I had to grind a small taper on the top half of the blade to allow adequate lateral adjustment of the blade: 5.jpg

    For my second (handled) infill, I was more aware of matters curvaceous, and I made sure the side curves began in front of, & behind, a longer near-parallel mid-section. 6.jpg

    There are no problems with cap-iron rotating freely, and plenty of room for lateral adjustment of the blade assembly, but I had two different issues arising from curves. First, I put too much & too sharp a curve on the toe end. 7.jpg

    Then I didn’t fair the start of the curve sufficiently, and with the bend commencing right at the lowest point of the dip in the side, when I pressed it in the bending form, it wanted to kink rather than form a curve. I smoothed it after peening, but an oblique light shows up more of a corner than a smooth curve (arrows). 8.jpg

    It’s a detail that only a fusspot would notice or bother about, but there’s no “fix” once the body is peened up.

    About the same time, I made another, slightly smaller smoother. I was mucking about with screw adjusters and made a version of the “Norris type” adjuster. I reckoned I could make it work a bit more smoothly than the Veritas by changing the screw pitches on the shaft. The Veritas version is a lot simpler to make but it requires a blade with holes to engage the travelling spigot of the adjuster. A Bailey blade has the long slot for the cap-iron screw to slide along, so if I wanted a 1 ¾” blade I would have needed to either fill in most of the slot, or make a blade from scratch. My heat-treating skills are still very rudimentary, so instead, I used a Veritas blade with adjuster holes already in it. The easiest blade to get was a block-plane blade but these are only 41mm (1 5/8”) wide, so my plane got a little skinnier than originally planned. For this plane I copied the side profile from a picture of an old Spiers (Mathieson used an almost identical profile & I don’t know who was first - perhaps neither). 9.jpg9)

    I worried that the narrow body would make it look rather skinny & unstable with a full body curve, so I left the front parallel, & tapered the sole from behind the blade-bed area. I’ve seen several old infills with a similar shape, but they were much wider, and somehow the wedge shape suited them far more than it does my skinny little thing – it looks like it has missed a few decent meals! 10.jpg

    But would you believe it, this is the best-performing infill I’ve made so far, it feels solid & sound & takes any wood in its stride. No other plane I have would go on making tear-free shavings on this piece of Solomons ebony (possibly the most difficult wood to plane I’ve ever encountered), like this plane did: 11.jpg

    ...continued...
    IW

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  3. #2
    Join Date
    Mar 2004
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    Brisbane (western suburbs)
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    Default pursuing curves Pt II

    I suppose any sensible person would be more than happy with a result like this and retire while they were ahead, but excellent is never good enough for an obsessive. I was determined to get those curves right! I had a bit of 2” x 1/8” brass plate left over from another job kicking about and plenty of 5mm steel for soles. A couple of weeks ago, I went to the brass dealer to get some brass for saw backs, and there in their scrap bin was a piece of 2” x ½” x 90mm brass, just perfect for the lever-cap. Ten dollars quickly changed hands & the piece was mine (it would’ve cost more than twice that to have it cut off a long bar). Iteration 4 was on its way.

    I was very careful drawing up this one, paying very careful attention to all of the features mentioned above. The build went smoothly enough, but the brass I used for the sides seemed to be harder than average. I’ve noticed there can be variation between batches before, but this particular piece was more reluctant than usual to be pushed around by a hammer. I thought it would be ok, because my pins & tails were a pretty good fit (I’ve had a bit of practice at this!) & most of the gaps on the sole side were minimal. But at the toe end of the plane, where the arc of the curve is tighter, it’s always a bit tricky to get a really close fit of the tails in their sockets, & the gaps here were just a bit bigger than on the rest of the side. Because I was nervous about the brass flaking, I didn’t peen a couple of the front tails enough & there are some pin-holes after clean-up. The joints are perfectly sound & solid, but it really annoys me that I didn’t get them perfect after all the planes I’ve bashed together by now. 12.jpg

    For infill, I used some she-oak I’d squirreled away several years ago & forgotten about. I re-discovered it when I was writing my article on casuarinas for AWR. This wood came from a tree on the old family farm years ago, and I didn’t notice ‘til I got it home that one section of the tree has a peculiar “herring-bone” fiddleback figure. This is the one & only time I’ve seen this pattern in a she-oak, so I put some pieces aside thinking I’d find the perfect use for it eventually. Like a lot of fiddleback, a picture doesn’t do it justice, you have to move the piece to get the full effect. 13.jpg

    I am pretty pleased with the result, BUT (there’s always a “but”), I ignored my own sage advice and didn’t obtain the blade before commencing the build. I assumed the Veritas O1 Bailey blade I already had would be the same thickness as the PM-V11 blade I intended to fit to this plane. So of course I filed the mouth to nicely accommodate the O1 blade. When the new blade arrived, I eagerly unpacked it, but on seeing the new blade thought “hang on, this blade looks a bit thinner than the O1”. Of course it is - a shade under 3mm while the O1 is a shade over. How stupid can I be? I could easily have looked it up if only a few more neurons had been functioning in my fat head. Not much difference, you’d think, but enough to rob me of the superfine mouth I was aiming for.

    Ah well, as I say in my ‘manual’ very fine mouths are a mixed blessing or even a downright curse if you want to hog off some serious shavings. Maybe it’s fate helping me to keep the plane more versatile & just rely on the cap-iron to control tear-out. I’m finally satisfied with all of the curves this time around. There is still a bit more fettling to be done, but the performance is already “good”, & I think that just might be shifted up to “excellent” with a bit more fiddling. 14.jpg

    So my quest for perfect curves has ended – for now…………

    Cheers,
    IW

  4. #3
    Join Date
    Jul 2017
    Location
    Melbourne
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    37
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    53

    Default

    Love your work Ian - all your planes are beautiful (I am lucky enough to own some)
    You have extremely high standards and it is obvious in your finished result!
    Keep it up, you’re an inspiration to the rest of us.


    Sent from my iPhone using Tapatalk

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