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  1. #1
    Join Date
    Mar 2008
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    Hobart, Tas
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    Default Attempting to [CTRL]+Z a half blind draw-bored mortice and tenon

    This post could also be titled “How draw bored mortice and tenons took me from hero to zero in fifteen minutes”.

    You need to understand that this project has taken me a lot of evenings with half an hour snatched here and there to finally get to the point of being ready to assemble. I had learned a lot of new things on this build so the assembly felt like the culmination of months of effort (well just over a month, but our feelings are rarely based on fact…).

    The assembly came together fast and the results were spectacular. Each joint pulled in nice and tightly and seated squarely with it’s partner. My wife was helping with the assembly and I know that thoughts of amazement and appreciation for being married to a specimen such as I were running through her head. Then she got cold and went inside (it was late in the evening, the shed was unheated, and it was a Tasmanian winter). With the departure of my muse, it all started to fall apart.

    I had plans drawn up. I had labelled each part. I had hieroglyphs at each joint which in LPPML (Lance’s proprietary pencil marking language) said “This part connects to this part, and no other part will do.”. And yet somehow I managed to get it wrong.

    20200502_162404-1024x768.jpg

    Whilst I prefer to research different techniques thoroughly before trying them, I had to wing this one. You see the glue had been applied, the four panels already assembled, and the side panels mounted to the font. It was only when attempting to complete the frame by adding the rear panel that I realised something was amiss. The glue was by that point well on its way to creating it’s cross linked hug of everlasting love. Thank-you Titebond III for your longer setting time, as the errant assembly was the first panel I glued up.

    Being draw bored mortice and tenon joints, it was a little more complicated to separate the pieces than simply knocking them apart. An additional complicating factor was that these were half blind (is that even the correct term?), in that the pins never exited out the back of the mortice piece. Let’s then establish the problems presented for an undo operation:


    • The join was glued (tick-tock, tick-tock).
    • The join was pinned (can’t simply pull apart).
    • The pin holes are offset (can’t drill the pin out).
    • The pin is half blind (can’t drill the pin out of the mortice from each side).
    • There were four joints with two pins each (needed to be a relatively fast operation, remember tick-tock, tick-tock).
    • After a moment of despondency and a subsequent internal pep talk, I made a plan, and for better or worse started executing it.


    20200605_200518-1024x768.jpg

    First I sawed and pared the pins flush with the legs.

    20200605_2005530-1024x768.jpg 20200605_200626-1024x768.jpg

    Then I selected a smaller drill bit which I hoped would leave the holes in both mortice and tenon unmarred, whilst removing the bulk of the pin. I proceeded to carefully drill them out as deep as the far side of the tenon.

    20200605_200705-1024x768.jpg

    Taking my Thor hammer I started with gentle taps and increased the blows to the point where I was channelling its namesake in my efforts to break the glue bond and sheer the pin remnants until it finally gave way. I do feel compelled to point out that bar one, every join separated with almost no damage. On the final one, I realised I had a good system, and the consternation had subsided sufficiently for me to document the process with photos. It is thus that you get to see a photo of the one that when spectacularly wrong. For balance I also included one that went to plan.

    20200605_200937-1024x768.jpg 20200605_200337-1024x768.jpg

    The final step was to drill out the remains of the pins from the blind holes.

    20200606_102530-1024x768.jpg

    With the disassembly complete I glued and clamped the split piece and went inside. I didn’t even bother cleaning the shed, which I generally do with religious fervour. My despondency was tempered somewhat by the fact that I had managed to rescue something that at the moment of notice had seemed insurmountable.

    On the bright side, the next day I got up bright and early and put it all together. As I stood back admiring my work later in the day, after a little while my eyes narrowed, my brow furrowed and I let out an anguished “WHAT?”. But that’s for another instalment.

    20200607_130317-1024x768.jpg

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  3. #2
    Join Date
    May 2007
    Location
    Sth Gippsland Vic
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    Default

    Lovely to see panel and frame Aussie timber stuff like this Lance. Looks nice .

    The smarter we get or think we are Lance the more easily we slip up doing this stuff. You know of the KISS principle ? I love the KISS principle. I used to have discussions with one apprentice about keeping it simple and he wouldn't be making the same mistake . He was smart. Smart enough he thought to do all the simple calculations in his head rather than on paper or wood and then double check twice using two differing methods.
    This was about lengths of table rails not what you are showing . The sum there was table length - overhangs - leg thicknesses + tenons. I have a favorite KISS way of laying it out all can be seen and checked. Then I double check with different methods.

    Im going on about something your not having a problem with but its the start of the usual workshop discussion Ive had many times about Making stuff. Actually it starts with the drawing then the calcs then cutting list then the parts laid out and the all important marking out .

    There's a method for marking out which is tought and has to be KISS. Lots off letters and double marking when its not necessary and all that is not the go . One marking area per part if possible and never leave a mistake drawn on it . Remove it is a golden rule.

    First is the legs just at the top . The circle at top after your decision about whats facing out and in . Then a way of knowing front from back . . Same at the front of the short rails or drawer sides tops like third drawing.
    And long horizontals get the face edge mark like bottom of no 3 drawing. With a F/ Top , F/Mid or F/Bott added or Back /T /M or/B .
    Importantly all marks are drawn on pieces so they face up at you as they should sit in the assembled cabinet if you were standing facing it .
    As KISS as possible and the least amount of markings the safer we all are . That, and a practice dry run is a good idea too .

    IMG_4246.jpgIMG_4247.jpgIMG_4250.jpgIMG_4252.jpg




    The "What " moment LOL . I see a Mortise up the back rhs and one at the front lhs , and was the mid horizontal rail supposed to go in at the same time ? Look like it should have.
    That can be fitted in later with a two part rail and a long splice join . They hold well if long enough . I do it on chair repair sometimes where there is no way the rest of the solid chair is coming apart and a rail or stretcher needs replacing . Or where I have the same "What" moments.


    Rob

  4. #3
    Join Date
    Mar 2008
    Location
    Hobart, Tas
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    Default

    Thanks for your comments Rob. Thanks for taking the time to explain your layout method. I have been using a line going to a corner for orientation, but as I discovered with an earlier project, it doesn't help when you forget if the lines should point in or out! The circle is far better. My marking out is definitely the area that led me astray.

    My post analysis has me thinking that it all goes back to when I put the mid mortices in, ended up with the a mortice in the wrong leg. So then had to switch two legs, and didn't erase now wrong markings well enough. This led to one leg having the draw bore holes offset against the outside instead of the inside of the leg, which I thought I would correct by using it elsewhere.... It was just a cascade of trying to fix previous errors, erroneously. So my take away is to use better layout markings (I'll take your system), and if I get in a muddle, STOP and figure everything out once and for all. And if required, put aside a part and make it again.

    In the end, I don't think there was any configuration in which the whole thing was going to fit together as planned, but I have managed to work around all of my issues. You're correct about my "what" moment. The right back leg should be in the left back. in my last photo you can see a ladder on the side of the frame. That was so that I could climb up and see the markings on the legs to figure out what I had done. The mid rail gets pinned onto the back of vertical, as it may need to move.

    This is an experimental piece made with construction grade Tasmanian Oak which will serve as my wife's bee keeping cabinet and work bench. Now that it's at this stage, it almost looks too good to leave in the shed!

  5. #4
    Join Date
    May 2007
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    Sth Gippsland Vic
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    Quote Originally Posted by LanceC View Post

    This is an experimental piece made with construction grade Tasmanian Oak which will serve as my wife's bee keeping cabinet and work bench. Now that it's at this stage, it almost looks too good to leave in the shed!
    It'll be a nice looking sturdy Shed piece . Great way to go as well . Making pieces that get used and you can go back and study for ideas to make the next one better.

    Its a funny thing seeing mistakes in Old stuff . They didn't always fix it . Some are left in place . I have a picture somewhere of an old piece which has a part installed the wrong way up . Ill show if I can get a pic.

    You see Mortises facing out or to a side sometimes . Cut on the wrong side of a leg then patched up and polished.

    The third picture I put up has horizontal rails marked as 1 L&R and 2 L&R. I used a drawing I was going to put up in another thread that was talking about how to mark out when doing two matching pieces of furniture and keeping track of it. Fuzzie's bed side table thread . I got side tracked and never used it .

  6. #5
    Join Date
    Mar 2008
    Location
    Hobart, Tas
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    Rob, It must be really interesting to see pull old pieces pulled apart, with some of the techniques and remedies.

    As for repairs, there are plenty on this one. I like to see every mistake and subsequent repair is a learning experience, and hopefully will not make the same mistake again, doubtful as it may be.

    Here are a couple from this project:

    Patching the errant mortice. Perhaps it's a good thing I don't have a fire place in the shed, as I had all my scraps and offcuts still available. I thought I was so careful with the plug, but alas, there are tiny gaps left above and below. I may rub in some beeswax and hope they disappear when finished.

    20200607_130555.jpg 20200610_123843.jpg

    Filling in some tenons that ended up being cut not quite tall enough. They are as good as invisible.

    20200607_132201.jpg 20200616_082703.jpg

    Oh, and here's a photo of the unit with the front horizontal rail installed, just to make up the picture.
    20200607_162830.jpg

    Yesterday evening I managed to get a little time in the shed and now the doors are just waiting for a final clean-up before installing plywood panels. I decided that while I'm on a role with draw boring, I'll keep at it, so I have a jar of pins ready to go. The doors also highlighted an error in my process in that I cut down the tenons to final width (long way), and only afterwards realised that I would no longer be able to use haunches to fill the ploughed groove. Fortunately I was able to use the mortices as start and end stops, and my little plane mostly cut the whole thing to depth, only needing to come from the other side to clean up the very end of what was the the initial start end.

    20200615_183102.jpg 20200615_193414.jpg

    It's good for this to keep moving and enjoy the progress.

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