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Thread: Chippendale Hanging Shelves
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3rd July 2011, 01:27 PM #1
Chippendale Hanging Shelves
This delicate little set of mural shelves is taken straight from Thomas Chippendale's Director, published in 1754.
Fig. 1. Chippendale's designs for Chinoiserie Hanging Shelves, c. 1753.
Normally made of mahogany, and often in pairs[1], many 'Chippendale' hanging shelves bear only the fleetingest resemblance to his designs (fig. 4) while others are more heavily influenced by, or adhere faithfully to them. Barring the atypical glazed doors, the hanging shelves in fig. 2 are a fairly accurate construal of the right-hand delineation from the Director in fig. 1. Note the upper and lower fence panels are reversed.
Fig. 2. Chippendale Mahogany mural shelves, c. 1765. (Millington Adams)
The shelves in fig. 3, from Alscot Park in Warwickshire, are attributed to Thomas Chippendale.[2] They were probably made for the then incumbent, James West, at the time of his second remodelling of Alscot (1762-6). Note all the fence panels are reversed.
Fig. 3. One of a pair of hanging shelves attributed to Chippendale, c. 1765. (Christopher Gilbert)
The Chinese Fence pattern is a recurring motif in Chippendale's and others' work of the period, so when it came to shelf designs, there were numerous interpretations and variations.
Fig. 4. A pair of Chinese Fence pattern mural shelves, c. 1770. (Millington Adams)
Fig. 5. Chippendale period mural shelves, c. 1765. (Philip Colleck)
In many of the examples I've come across, mahogany was favoured for the drawer linings in place of the more usual oak seen in commensurate case work of the period.
Fig. 6. Slender mahogany drawer linings. Note also the scratched 'cockbeading'. (Philip Colleck)
Mural shelves would have been quite plentiful at a time, but being somewhat diaphanous, many likely succumbed to being over-laden with books. Chippendale simply describes the shelves as 'hanging shelves' and doesn't elaborate on their intended purpose, but those shelves that survive probably enjoyed less onerous existences displaying cherished objets and porcelain.
William Ince and John Mayhew were unambiguous about the intention for their 'china shelves' in their Universal System of Household Furniture published in 1762.
Fig. 7. Ince & Mayhew designs for china shelves, c. 1762.
I remember some years ago in the West of England, seeing a very good pair of Chippendale hanging shelves lying broken and neglected in a friend's boxroom. He saw me eyeing them, and having no particular attachment to them, offered them to me. I was actually looking at them and pitying the person that would, one day, have the arduous task of restoring them. I had a lot on my plate at the time and politely declined his munificence. I'm not so sure I would pass them up today – the pair of shelves in fig. 4 sold for £16,900 ($25,685).
I acquired some Fijian Mahogany (Swietenia sp.) – true mahogany – for my set of shelves and have prepared the stock in readiness for cutting the fretwork sides.
[1] In Letter XX in The Wild Irish Girl, written in 1806, Sydney Owenson (later Lady Morgan) describes, amongst the contents of Glorvina's boudoir; "Two little book-shelves, elegantly designed […]"
[2] Christopher Gilbert, The Life and Work of Thomas Chippendale, Tabard Press, 1978, p. 188..
I know you believe you understand what you think I wrote, but I'm not sure you realize that what you just read is not what I meant.
Regards, Woodwould.
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3rd July 2011, 01:51 PM #2
I've got a front row seat on this one.
Chris
========================================
Life isn't always fair
....................but it's better than the alternative.
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3rd July 2011, 02:08 PM #3
Move over Chris.
The Masterclass is just beginningPat
Work is a necessary evil to be avoided. Mark Twain
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3rd July 2011, 02:32 PM #4
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3rd July 2011, 03:12 PM #5GOLD MEMBER
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Nah . But I hope CH is bringing those Anzacs that his mother makes.
I've just become an optimist . Iv'e made a 25 year plan -oopps I've had a few birthdays - better make that a 20 year plan
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3rd July 2011, 05:08 PM #6
More fret work WW? book me a front seat.
Two things are infinite: the universe and human stupidity; and I´m not so sure about the universe.
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3rd July 2011, 05:26 PM #7.
I know you believe you understand what you think I wrote, but I'm not sure you realize that what you just read is not what I meant.
Regards, Woodwould.
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3rd July 2011, 06:40 PM #8
Anzacs on the way.
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3rd July 2011, 07:59 PM #9
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3rd July 2011, 08:06 PM #10Skwair2rownd
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Lamington Man has arrived!! Just in time for the front row too!!!
They are actuall yvery elegant pieces WW From what you have written and what I have garnered in the past, Chippendale was much copied but the work was embellished. I'm not sure if any of these embellishments were improvements!
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4th July 2011, 09:56 AM #11
Oh dear, the fuzzette just saw this one. We had been discussing doing a Shaker one like
http://www.finewoodworking.com/FWNPDFfree/01130884_wall_shelf.pdf but it looks like life just got more complicated.
Drawing up a camp stool and watching intently.
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4th July 2011, 11:22 AM #12
Oh boy, oh boy. Another WIP from The Master.
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4th July 2011, 06:37 PM #13
Gosh
standing room only
any of those anzacs left?
looking forward to seeing this one developeregards
Nick
veni, vidi, tornavi
Without wood it's just ...
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4th July 2011, 07:35 PM #14Novice
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Judgeing by the comments above, I'm very much looking forward to this WIP.
Room for one more?
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4th July 2011, 07:55 PM #15
Hey lads, this is serious stuff: Enough of all this flippancy. Behave yourselves and move over. My seat is the comfortable one, in the middle, at the front.
For me fig. 4 has it. I showed SHMBO and she concured so I am now able to share comments. I particularly liked the three drawers and my other half liked the simplicity of the design. She likes simple things and that is where I fit in so well.
Having said that I really like "C's" rectangular fretwork in figs.1,2 & 3. I am putting money on you being faithful to that.
So have you blokes moved over yet?
Regards
PaulBushmiller;
"Power tends to corrupt. Absolute power corrupts, absolutely!"
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