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27th March 2010, 08:04 PM #91
you're a bloody genius.
cheers
Michael
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27th March 2010, 08:17 PM #92.
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28th March 2010, 11:42 AM #93
Thanks men!
It has to be written first!
The door frames are solid plain Ash and cross-veneered on the face with knotty and figured Ash. The lower door stuff is additionally rebated to accept cross-grained blocks in which the moulding is formed. All but the moulded edge of the blocks are hidden beneath the face veneer.
The upper door mouldings (and glazing bars) will be applied and are a totally different profile - sneak preview....
I know you believe you understand what you think I wrote, but I'm not sure you realize that what you just read is not what I meant.
Regards, Woodwould.
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28th March 2010, 12:04 PM #94GOLD MEMBER
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Greetings Woodwould,
I like the profile on the glazing bar . Do you expect any problem with differential movement between the cross grain blocks and the long grain bar and do you use the same technique to make the moulding i.e. rough out the shape with a shoulder plane followed by trimming with a moulding plane or do you sometimes use a router . If a moulding plane what type do you use .
A very interesting WIP.
Cheers PeterI've just become an optimist . Iv'e made a 25 year plan -oopps I've had a few birthdays - better make that a 20 year plan
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28th March 2010, 12:43 PM #95
Not problems per se, but I do expect the blocks to squirm around a bit with changes in temperature and humidity. I expect the glazing bars to end up looking similar to this...
Yes, shoulder plane, followed by a hollow moulding plane. This is a practice run on some plain stock...
... and finally the cross-grained stock.
.
I know you believe you understand what you think I wrote, but I'm not sure you realize that what you just read is not what I meant.
Regards, Woodwould.
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28th March 2010, 07:59 PM #96" making wood good"
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- May 2008
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- Hervey Bay QLD
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- 319
such a clean profile? are your planes that sharp for end grain tearout? or do you apply a steady hand and some elbow grease for the finished product?? looks good
regards Chowcini
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29th March 2010, 06:42 AM #97
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29th March 2010, 07:45 AM #98Skwair2rownd
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More top stuphph Woodwould!!
The detail in your WIp is very much appreciated.
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29th March 2010, 06:03 PM #99Member
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Stunning work mate, a pleasure to read.
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29th March 2010, 06:23 PM #100
So this is where everyone went, I thought it was quiet outside!
This why the forums are a great place I reckon. Every now and again you bumble into a jewel of a thread like this one. I pulled up a pew at the back but Waldo's big boof head was in the way so now I have stage left to myself.
Great record of the build WW, I haven't seen Mulberry work before so this is very informative.
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29th March 2010, 10:09 PM #101
Last edited by tea lady; 29th March 2010 at 10:09 PM. Reason: another b*^$%^ typo
anne-maria.
Tea Lady
(White with none)
Follow my little workshop/gallery on facebook. things of clay and wood.
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29th March 2010, 10:57 PM #102
Horse sauce; it can lubricate the wood, or if the cross-grained wood is a bit friable, the glue can be left to set, thus solidifying the wood. A hot cloth afterwards and it's all gone again.
.
I know you believe you understand what you think I wrote, but I'm not sure you realize that what you just read is not what I meant.
Regards, Woodwould.
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29th March 2010, 11:02 PM #103
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29th March 2010, 11:16 PM #104
Drinks, lollies...cigarettes
Fantastic work WW, thanks for the show, really enjoyable!
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29th March 2010, 11:20 PM #105anne-maria.
Tea Lady
(White with none)
Follow my little workshop/gallery on facebook. things of clay and wood.
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