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Thread: Saw Vice Build 2
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1st June 2013, 02:08 PM #61
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1st June 2013 02:08 PM # ADSGoogle Adsense Advertisement
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1st June 2013, 02:08 PM #62
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1st June 2013, 02:18 PM #63
By far the easiest way for us to get around this ridiculously clumsy and confusing nomenclature is to use Coarse, Medium, Smooth & Dead Smooth when referring to the finish left be the file, and therefore the file rating - this is how I am going to word the new thread. This will still not get around different tpi for different file sizes, but we'll just have to suck that up I'm afraid - we'll only be dealing with small files anyway.....
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1st June 2013, 02:25 PM #64
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1st June 2013, 02:50 PM #65SENIOR MEMBER
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in a word Yes
I think they are confused as well. Cut n refers to the SP range of coarseness from 0000 - 16 (or thereabouts)
The aggressiveness of a file goes - from coarsest:
Coarse Rough
Rough
Bastard
2nd Cut
Smooth
Superfine
Dead Smooth
Most of these have disappeared.
Double means the way the file is physically cut, compared to Single - and has nothing to do with 2nd cut.
Cheers
Peter
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1st June 2013, 02:58 PM #66
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1st June 2013, 04:26 PM #67SENIOR MEMBER
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Actually, the American Pattern followed England. Smith's Key has - Ruff / Bastard / Middle / Smooth / Float. In Smith's the Hand Saw file is a cross between the current blunt and saw tapers in shape. The taper file is like an SP file, tapering to a point. All hand cut of course.
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In The Starrett Book for Machinists’ Apprentices, 1917 p43 is an equivalence table between grits and files that is quite interesting.
GRADES OF EMERY
The numbers representing the grades of emery run from 8 to 100 (for example, No. 100 means the particles pass through a sieve with 100 meshes to the linear inch, i.e. the CAMI system for coarser grits), and the degree of smoothness of surface they leave may be compared to that left by files as follows:
mesh 6–10 represent the cut of . . a wood rasp
16–20 . . . . . . . . . . . . . . . . . . . a coarse rough file
24–30 . . . . . . . . . . . . . . . . . . . an ordinary rough file
36–40 . . . . . . . . . . . . . . . . . . . a bastard file
46–60 . . . . . . . . . . . . . . . . . . . a second cut file
70–80. . . . . . . . . . . . . . . . . . . a smooth file
90–100 . . . . . . . . . . . . . . . . . . a superfine file
120F and FF . . . . . . . . . . . . . . a dead smooth file
I am not sure how accurate this is ...
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Files are interesting because the development of the English file making industry and the work of people like Peter Stubbs was essential to the Industrial Revolution. Obviously less so today.
Brett, I hope you are collecting all the old threads, I look forward to seeing the results.
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1st June 2013, 04:42 PM #68
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1st June 2013, 05:09 PM #69
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1st June 2013, 05:29 PM #70
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1st June 2013, 05:46 PM #71
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1st June 2013, 06:17 PM #72Senior Member
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the terms bastard,second cut,smooth ect refer not to the edge you can put on a saw but to the amount of metal that is removed with each
pass ie bastard takes more and so on.It also means that you can put more pressure on the rougher files to work quicker,try taking a heavy handed swipe with smooth cut file and all you will get is the filings jammed between the teeth of the file.cheers pat
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1st June 2013, 06:51 PM #73
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29th June 2013, 03:45 PM #74
Sharpening attempts continued ...
https://www.woodworkforums.com/f152/ripsaw-sharpening-trial-error-burbs-171940/
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