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  1. #1
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    Question Turning a flute- What Aussie woods?

    I found an old fine woodworking artical about turning a wooden flute. Says its kinda tricky. Always one to rush in where fools fear to tread, what ausie woods do you think would be good? Being an American artical it doesn't really give any hints. Got some Jarrah off cuts this morning. Do you think that would be good? Maybe Murbu would be able to withstand the dribble factor quite well, but aparently you have to get the balance between hardness and tone. Hard means a brittle sound. Suck and see I guess. (Or should that be blow? )
    anne-maria.
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  3. #2
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    There may be some info here
    and blow is only a figure of speech

  4. #3
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    Brendan Stemp turns recorders. He would be a good source of advice.

    He is probably recovering from his You Turn, so may not read the forum for a bit...so, in the interim, here is some overseas info on recorder woods. I have some freshly cut pear that you would be welcome to, but can't imagine how long you would have to wait before it is fully seasoned or what you could do to hurry it up without splitting.

    .....
    Stay sharp and stay safe!

    Neil



  5. #4
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    Quote Originally Posted by NeilS View Post
    Brendan Stemp turns recorders. He would be a good source of advice.

    He is probably recovering from his You Turn, so may not read the forum for a bit...so, in the interim, here is some overseas info on recorder woods. I have some freshly cut pear that you would be welcome to, but can't imagine how long you would have to wait before it is fully seasoned or what you could do to hurry it up without splitting.

    .....
    Thanks. Wonder if apple wood would be good.
    anne-maria.
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    ea Lady

    (White with none)
    Follow my little workshop/gallery on facebook. things of clay and wood.

  6. #5
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    Oh! Having now skimmed the artical, I know where I can get some Tulip wood. I've got a bit of that Queen ebony. Would that be good do you reckon? (Although I might make the SECOND one out of that. )
    anne-maria.
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    ea Lady

    (White with none)
    Follow my little workshop/gallery on facebook. things of clay and wood.

  7. #6
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    Quote Originally Posted by tea lady View Post
    Wonder if apple wood would be good.
    Just guessing here, as I haven't done any of this myself, but speculate that any of the close grained fruit or nut woods would be worth further exploration. Most would be suitable for the precision work required for wind instruments.

    Quote Originally Posted by tea lady View Post
    I've got a bit of that Queen ebony. Would that be good do you reckon? (Although I might make the SECOND one out of that. )
    If similar to African ebony, should turn very nicely and come up beautifully. Not sure about the tone, but if hard like traditional ebony then I expect it would be quite bright.

    Anyway, I'm out of my depth on this, so hopefully Brendan or someone else with more expertise can steer you in the right direction.

    .....


    Stay sharp and stay safe!

    Neil



  8. #7
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    Quote Originally Posted by NeilS View Post

    Anyway, I'm out of my depth on this, so hopefully Brendan or someone else with more expertise can steer you in the right direction.

    .....

    I'm WAAAAAAAAAAAAAY out of my depth here. But I heard on the radio that you only improve if you always try to do things that you can't quite do. I've prolly got too much on the to do list anyway. So I'll prolly save it for when I have a pressing dead line.

    I'm sure Brendon will turn up soon.
    anne-maria.
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    ea Lady

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  9. #8
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    And here I am without too much to add. I know how to make recorders and finish them but have no experience with different timbers and how they sound. However I suspect that how they sound out of different timbers is going to be noticed more by those with lots of playing experience. What I do know is that I use European Boxwood and American Maple for the recorders. Also Grenadilla and Ebony occasionally. The boxwood was used traditionally to make recorders but is expensive. But beautiful to work with; one of the best timbers I have ever turned. Lots of Aussie timbers could be used including Dead Finish, Buloke, Weeping Myall. The outback timbers seem to be a preference of woodwind instrument makers. Perhaps Olive could be used. It boils down to workability, stability and tone. Stability is important because you don't want it warping. Buloke is very stable. So yes, TL, BLOW N SEE would be a good way to approach it.

  10. #9
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    anne-marie, pm me, can be of help with blanks.
    Cheers,
    Ed

    Do something that is stupid and fun today, then run like hell !!!

  11. #10
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    Quote Originally Posted by Ed Reiss View Post
    anne-marie, pm me, can be of help with blanks.
    Might just fart around with what I can get for a while before I start shipping wood across the world. So ya never know.. You might get a PM eventually.
    anne-maria.
    T
    ea Lady

    (White with none)
    Follow my little workshop/gallery on facebook. things of clay and wood.

  12. #11
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    a company called "Tasmanian tone woods " sponsors the musical instrument page of this forum , give him message , he has a good range of timber's ,
    how come a 10mm peg dont fit in a 10mm hole

  13. #12
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    I used to play the clarinet. My good one was made of ebony.
    Cheers, Ern

  14. #13
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    Quote Originally Posted by rsser View Post
    I used to play the clarinet. My good one was made of ebony.
    Might wait for a while before I tackle an ebony one.
    anne-maria.
    T
    ea Lady

    (White with none)
    Follow my little workshop/gallery on facebook. things of clay and wood.

  15. #14
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    Cheap Asian ones are made of bamboo. Already round ;-}
    Cheers, Ern

  16. #15
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    cheap asian ones are made of bamboo. Already round ;-}
    :u
    Inspiration exists, but it has to find you working. — Pablo Picasso


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