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27th February 2009, 01:17 PM #1
Another Goblet (thinner, for Skew's approval)
this is a bit of campher laurel. I only did it because Skew said the other stem was a bit thick.
It's 13.5cm high and 4cm wide
When I did the bowl I was so pleased - I *almost* got it without tool marks. Just one little one down the bottom.
But when I finished and took it off the lathe - I didn't have enough wadding in the cup and the live end thing left a mark! I've decided it's a feature. (yeah, right, pity it looks like a mistake then!)
Oh well, another day I'll try again.
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27th February 2009 01:17 PM # ADSGoogle Adsense Advertisement
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27th February 2009, 01:27 PM #2
Flying ahead in huge leaps and bounds Eliza. Don't remember seeing anyone improve so quickly . (or do you have nothing else to do but practice 24/7 )
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27th February 2009, 01:37 PM #3
You certainly are doing a fantastic job at improving your skills.Well Done
If I was to be critical I would say that it looks like the wall thickness is to thick. I like to get them as close to a wine glass thickness as possible.
The main thing is that it holds the fluid for youCheers Rum Pig
It is easier to ask for forgiveness than permission.
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27th February 2009, 01:41 PM #4
OK Eliza...your gobs are progressing swimmingly
Cheers,
Ed
Do something that is stupid and fun today, then run like hell !!!
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27th February 2009, 02:29 PM #5Senior Member
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Well done Eliza Huge improvement in such short time...you're on a roll.
Cheers, Evan
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27th February 2009, 02:39 PM #6
OK! Well done! Now... as was said a day or two ago... now make a set!
You're makin' some of us envious with your ability to learn so fast!!Al
Some minds are like concrete thoroughly mixed up and permanently set.
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27th February 2009, 03:21 PM #7Retired
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Looks good but the base needs to be as wide as, or fractionally wider than the top.
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27th February 2009, 05:44 PM #8
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27th February 2009, 06:05 PM #9
The other thing I have problems with on gobs is that I don't know where the bottom is when I'm turning the outside. Maybe I should turn that first then turn the inside to match.
The bottom is two mm bigger then the top - it was bigger - but then I slipped and lost a few mil!
Today I bought some micro mesh
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27th February 2009, 06:11 PM #10You've got to risk it to get the biscuit
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nice work
S T I R L O
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27th February 2009, 07:09 PM #11
Eliza, very veryyyyyyyy well done.
I saw the first too of course, oh well it's just a matter of taste if you like more a slender than a thicker stem. But to be honest, this one is more elegant.
And you are a very fast learner, I think you have the right feeling in your fingertips
Eliza, keep em going.
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27th February 2009, 07:26 PM #12
Eliza
can you please get a full time job!
It is patently unfair that you get to spend quality time on the lathe, practising chisel use whilst I have to sit in an office with a view of another office across the alley. (btw - the bloke in that office sits and daydreams all day)regards
Nick
veni, vidi, tornavi
Without wood it's just ...
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27th February 2009, 07:46 PM #13
Problem is - this IS my full time job!
I've always had to make whatever I could by whatever I could do at home. I've done web design and sold my art - now I'm doing this.
Yes, I do practice pretty much full time. I've worked my way up to about 5 hours a day, split into hours with an hour rest in between. And that in between time is research, listing, updating websites etc. So I'm working an average of 10 hours a day, 7 days a week.
I have an art exhibition opening on Monday, setting up on Sunday, so I'm getting ready for that too. I have an article in a magazine at the moment, another exhibition in the US (obviously I'm not AT that one...) and an interview on the 12th.
I'm busy all the time. If I have free time I fill it with something.
I like this little goblet too - pity it's useless! I'm thinking of making teeny tiny ones and selling them as "Fairy cups".
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27th February 2009, 09:26 PM #14
Flying ahead Eliza. Good on you girl. Looks fantastic. Good luck with the art show as well.
Bevan
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28th February 2009, 09:44 AM #15
Nice work Eliza, and stunning wood.
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