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  1. #16
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    Quote Originally Posted by brendan stemp View Post
    Well, these are worth commenting on.

    I haven't seen much of this style of work that I like. Most OC pieces look as though they are the result of someone having bought an off centre chuck and then used it in such a way just to of justifying the expense. They look too contrived and poorly designed with the chuck dictating the form. These pieces are quite the opposite.

    I love the designs of the two with the balls the most and particularly the one with the several balls before you introduce a disc. These really are worth pursueing and I hope you do more. I would love to see how you could refine these.

    I'm not sure why jefferson was suggesting you need more practise. Perhaps you do and he knows you better than I, but I certainly couldn't judge this based on what I see in these pics. They are very accomplished as far as I can see. My only suggestion would be to finish the top with only one or even no discs but you obviously have a great eye for design so I suggest this with some hesitation.

    I know in myself when I see something that works well because I feel the urge to go to the lathe and try it myself. This doesn't happen all that often these days but it did when I saw these. I was thinking pepper grinder in this style.

    Congrats AM.
    Thanks Brendan. Yes the designs are still a work in progress. Still an adventure in "I wonder what happens when". And there are certain details in each one that I especially like, and will try to incorporate in the next ones. I like how they give the impression that the stack of balls and disks could come tumbling down any minute. Was also pondering other things like lamp bases, but couldn't work out how to drill the hole up the middle for the wires.
    anne-maria.
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    Follow my little workshop/gallery on facebook. things of clay and wood.

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  3. #17
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    Quote Originally Posted by tea lady View Post
    Thanks Brendan. Yes the designs are still a work in progress. Still an adventure in "I wonder what happens when". And there are certain details in each one that I especially like, and will try to incorporate in the next ones. I like how they give the impression that the stack of balls and disks could come tumbling down any minute. Was also pondering other things like lamp bases, but couldn't work out how to drill the hole up the middle for the wires.
    Would this work ?

    What if you bought a really long auger bit, I got some from bunnings ages ago when I built my workbench they can be very long and quite thin.

    A quick google yields these Promac Tools :: Wood Drilling :: 1. Wood Augers and this Promac 16 x 1000 Wood Auger Clean Cut WH16.0x1000 | Get Tools Direct

    Drill the hole first in the blank, then you could glue some slightly tapered dowel into the ends to plug them up if you had to, do the off centre stuff as usual, and then drill out the plugs when you've finished turning.

    Might be tricky trying to visualise where the hole runs in a complicated off centre turning. Good exercise for 3d thinking.

    Got it, if you know where the plugs are you can figure out where the hole is by laying a bit of string or a straight dowel up the outside.

    Bill
    Last edited by steamingbill; 23rd November 2013 at 01:44 PM. Reason: added 2 links and string note

  4. #18
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    Quote Originally Posted by brendan stemp View Post
    Well, these are worth commenting on.

    I'm not sure why jefferson was suggesting you need more practise. Perhaps you do and he knows you better than I, but I certainly couldn't judge this based on what I see in these pics.
    Well done Ann Marie!!!

    I also think this is a great idea, well worth developing.

    You could develop this idea into an individual style that becomes identifiable as yours, this is not an easy thing for a woodturner to achieve.

    Brendan has achieved this with his work.

    Ken Wraight also.

    Also like Brendan I not sure why jefferson thinks you need more practice.

    Perhaps he might post some images of his own off centre turnings that you could use as a guide??

    The rest of us might then learn something?

    Keep up the good work Ann Marie, I look forward to future developments.

    Cheers

    Tim
    Some days I turns thisaway, somedays I turns thataway and other days I don't give a stuff so I don't turn at all.

  5. #19
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    (I think its just Jefferson's way. )
    anne-maria.
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  6. #20
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    Quote Originally Posted by steamingbill View Post
    Would this work ?

    What if you bought a really long auger bit, I got some from bunnings ages ago when I built my workbench they can be very long and quite thin.

    A quick google yields these Promac Tools :: Wood Drilling :: 1. Wood Augers and this Promac 16 x 1000 Wood Auger Clean Cut WH16.0x1000 | Get Tools Direct

    Drill the hole first in the blank, then you could glue some slightly tapered dowel into the ends to plug them up if you had to, do the off centre stuff as usual, and then drill out the plugs when you've finished turning.

    Might be tricky trying to visualise where the hole runs in a complicated off centre turning. Good exercise for 3d thinking.

    Got it, if you know where the plugs are you can figure out where the hole is by laying a bit of string or a straight dowel up the outside.

    Bill
    Maybe with a sectional thing that joined together. Either that or get some really pretty bright red wire that looks good when it shows.
    anne-maria.
    T
    ea Lady

    (White with none)
    Follow my little workshop/gallery on facebook. things of clay and wood.

  7. #21
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    Quote Originally Posted by Tim the Timber Turner View Post
    Well done Ann Marie!!!

    I also think this is a great idea, well worth developing.

    You could develop this idea into an individual style that becomes identifiable as yours, this is not an easy thing for a woodturner to achieve.

    Brendan has achieved this with his work.

    Ken Wraight also.

    Also like Brendan I not sure why jefferson thinks you need more practice.

    Perhaps he might post some images of his own off centre turnings that you could use as a guide??

    The rest of us might then learn something?

    Keep up the good work Ann Marie, I look forward to future developments.

    Cheers

    Tim
    Tim, I've lent my E chuck to a mate, so I can't post some pics of recent work.

    If you have a look at some of the JFE work (and some of Ken Wraights), you will see what I'm talking about.

    Make no mistake, TL did a fine job. The next step is making it part of your work.

    Learning how to cut air is one thing. Making part of a signature piece is another.

    And again, TL did wonderful first-up job.

  8. #22
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    Quote Originally Posted by jefferson View Post
    Tim, I've lent my E chuck to a mate, so I can't post some pics of recent work.

    Does the E chuck have a camera in it or is that where you store your photo files?

    If you have a look at some of the JFE work (and some of Ken Wraights), you will see what I'm talking about.

    Why the need to compare? One of AM's talents is her creativity and thus her want to go where others haven't. That's why I like what she has done. That and the fact that her designs works well. I haven't seen anything of JFE that I like, but I'm sure that's a personal opinion. And Ken travels a different road with his MC work. I'm sure AM is fully aware that she has a way to go with developing this work but she sure has made a damn good start; a start that I believe is more advanced than most's starting point and one that is noteworthy and beyond comparison (especially with JFE and KW). I'm sure you meant to provide some good advice and healthy criticism but I thought your comments came across as a little too patronising

    Make no mistake, TL did a fine job. The next step is making it part of your work.

    Learning how to cut air is one thing. Making part of a signature piece is another.

    And again, TL did wonderful first-up job.
    See in-text reply

  9. #23
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    Brendan, I try not to patronise. I did stuff like this - maybe not as well - and put it in the burn pile for last winter.

    You don't like JFE's work? That is patronising. Have a look at his website and tell me your not impressed.

  10. #24
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    Quote Originally Posted by jefferson View Post
    Brendan, I try not to patronise. I did stuff like this - maybe not as well - and put it in the burn pile for last winter.
    I didn't hold these up as the ultimate. I said I'd been mucking around. And thought others might like to see wht I have done and have a bit of fun trying similar things.. Sorry yours went in the burn pile. We might have learned something seeing your work. We don't have to all be perfect to show others what we have done. I will certainly be continuing developing this concept.
    anne-maria.
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    Follow my little workshop/gallery on facebook. things of clay and wood.

  11. #25
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    For mucking about I think you did a great job.

    I prefer the one on the left best all I would change is the candle holder area (but then that is just a personal thing)the other two give the appearance of being to cluttered.

    I look forward to seeing what you produce when you are not mucking about

  12. #26
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    Quote Originally Posted by jefferson View Post
    Brendan, I try not to patronise. I did stuff like this - maybe not as well - and put it in the burn pile for last winter.

    Another example of a patronising comment. What you are suggesting is that your efforts at doing similar work to AM's weren't worth keeping so you burnt them.
    Now how would this make anyone feel. I certainly wouldn't appreciate such a comment and I would wonder about the quality of the author's work.

    You don't like JFE's work? That is patronising. Have a look at his website and tell me your not impressed.

    This was not a patronising comment. Perhaps we have a different understanding of the word. It is a simple statement of fact. I know of people that don't like my work and have told me. KW is one such person. Fair enough. I don't like the Mona Lisa as a painting. This is not patronising.

    And I have seen Escoulen's work and, as I wrote before I don't like it. It just ain't my cup of tea. I might be impressed by the skill he demonstrates but that's an entirely different thing to liking it or not.

    I choose my words carefully, perhaps you should do the same.
    see in-text response

  13. #27
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    Brendan, what part of NOT AS WELL didn't you read?

  14. #28
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    Play nice kiddies.

  15. #29
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    Nice work TeaLady. I am sure I could not hope to do as well until I get a lot more experience.

    It does inspire me to want to go out and give it a go - once I finish a hundred other things of course.

    Nice job . Thanks for sharing it. it is inspirational.

    Cheers

    Doug
    I got sick of sitting around doing nothing - so I took up meditation.

  16. #30
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    Play nice?

    I've got the Stemp telling me how to choose my words more carefully. And another bloke from SA weighing in on the action.

    I repeat, I think TL did a good job thus far. But she needs to go further. What's wrong with being honest and saying that? JFE is a long way ahead. Even though the Stemp says he likes TL's work but not that of the master. What? What?

    Brendan, as a professional woodturner, you can't be serious. JFE invented off-centre turning and you cannot praise it?

    Why is there such an insistence on praising ANY work posted? I see it all the time. Get standing over your shoulder and saying that aint good enough.

    And yes, Brendan, an ex-school teacher, you better re-think what you've accused me of. I still haven't heard back from you. A PM may be necessary. I know you send a few around. Maybe it's your turn. And yes, I do like some of your work. I can't speak for anyone else. I particularly like your ability to turn duplicate shakers.

    I will try to behave but some make it difficult.

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