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  1. #1
    Join Date
    Jun 1999
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    Default Coopered lid jewellery box: WIP

    My current project is a small jewellery box with a coopered lid. Fairly straightforward design, but the execution will take some care.
    Jewellery Chest 1.jpg
    The client's choice of timber was rose mahogany. Greg Ward had a couple of pieces, so I decided to take both of them. This is the one I chose to make the box from.
    Rose mahogany 2.jpg
    After drawing up the box, I used a spreadsheet to calculate the staff width, the bevel angle and the radius of the glue-up jig.
    coopering spreadsheet.xls
    I cut the staves to width and bevelled them, then sanded them to final finish (800 grit) and thickness.
    Staves inside.jpg
    Staves outside.jpg

    This timber has a lot of resin, and can cause problems with finishes and gluing, so washed the insides with plenty of acetone before giving it a coat of shellac and lightly sanding.
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  3. #2
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    May 2011
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    gippsland
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    will be watching with interest

  4. #3
    Join Date
    Feb 2003
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    back in Alberta for a while
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    waiting to see the coopering jig
    regards from Alberta, Canada

    ian

  5. #4
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    Jan 2008
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    Blue Mountains
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    Looks like a good project.
    The time we enjoy wasting is not wasted time.

  6. #5
    Join Date
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    As the staves were cut well over length, it's time to cut them down to just over the finished length of the panel. I set up an auxiliary fence to trim the first end off, then set a stop on the mitre gauge to cut them to length.
    Cutting staves to length.jpg
    The idea of the mitre gauge is to stop the blade catching an off cut and turning it into a missile. However, if you don't remove the offcuts, they can still get pushed onto the blade, with exciting results. This reminds me why I always wear a face mask and don't stand in line with the blade.
    Offcuts.jpg
    After the staves are cut to length, they are placed in order and taped together with stretched masking tape on the outside. The masking tape acts as a light clamp to hold the staves together. I then put them in the jig and coat the inside with wax to stop the glue squeeze-out sticking. I also put wax on parts of the jig that are likely to get glue on them.
    Staves taped.jpg
    For this type of work, I like to use a thick epoxy, which allows a longer gluing tome than PVA, and is easier to tint.
    The aim is to have an invisible glue line, so it's important to have accurate joins. No matter how good a colour match you get with the glue, it will be visible if it's too thick. To match this timber, I used terra rossa, yellow ochre and burnt umber pigments.
    Glue-up gear.jpg
    A light coat of glue is applied to the joining faces of the staves, and they are closed up and put in the jig. To tighten them up, I use wedges pushed together. Usually, the small clamps are not necessary, but I was a bit profligate with the wax, so friction alone doesn't hold them.
    Glue.jpg
    Glue-up 2.jpg
    Glue-up 1.jpg
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  7. #6
    Join Date
    Apr 2001
    Location
    Perth
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    Hi Alex

    I am curious - did you taper the staves to join flush along the sides at an angle, or are you butting them at an angle and filling the gap with tinted epoxy?

    I have made a couple of coopered topped boxes, and each had staves that were sawn to butt at the correct angle, then planed smooth inside-and-out. It would be interesting if there is another method.

    EDIT: Rereading your initial post I see you "bevelled" the staves. How did you do this? I am sure readers want that information.

    Regards from Perth

    Derek
    Visit www.inthewoodshop.com for tutorials on constructing handtools, handtool reviews, and my trials and tribulations with furniture builds.

  8. #7
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    Jun 1999
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    Hi Derek. I've used the same method as you - bevelled the sides at the correct angle, from the spreadsheet. I didn't plane them, as I believe my saw is set up accurately enough not to leave a visible glue line. Time will tell!

    After the glue has set, I'll plane the outside smooth. For this box, I'll leave the facets on the inside, but in the past, where I've needed a smooth, cylindrical inside, I've used a curved scraper and a wooden cylinder with sandpaper wrapped around it, spinning in the lathe.

    To bevel the staves, I first cut them slightly oversize. The TS blade is set at the correct angle and with the fence on the left side of the blade, bevel the first edge. This leaves the wide (outer) face of the staff uppermost. Then turn the staves end for end - outer face still uppermost - and adjust the fence so that the width of the staves is correct, and bevel the second side. When cutting the staves and bevelling them, I use magnetic featherboards on the feed into and out of the blade, to avoid any inaccuracy.
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  9. #8
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    Sep 2002
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    Hello Alex, another of your beauties coming up I can tell.

    What make of blade and spec do you use Alex to produce such cuts on the table saw?
    woody U.K.

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  10. #9
    Join Date
    Apr 2001
    Location
    Perth
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    Quote Originally Posted by AlexS View Post
    Hi Derek. I've used the same method as you - bevelled the sides at the correct angle, from the spreadsheet. I didn't plane them, as I believe my saw is set up accurately enough not to leave a visible glue line. Time will tell!

    After the glue has set, I'll plane the outside smooth. For this box, I'll leave the facets on the inside, but in the past, where I've needed a smooth, cylindrical inside, I've used a curved scraper and a wooden cylinder with sandpaper wrapped around it, spinning in the lathe.

    To bevel the staves, I first cut them slightly oversize. The TS blade is set at the correct angle and with the fence on the left side of the blade, bevel the first edge. This leaves the wide (outer) face of the staff uppermost. Then turn the staves end for end - outer face still uppermost - and adjust the fence so that the width of the staves is correct, and bevel the second side. When cutting the staves and bevelling them, I use magnetic featherboards on the feed into and out of the blade, to avoid any inaccuracy.
    Hi Alex

    Yep, I did mine that way.

    I've long considered making a jig - like yours below - to hold the staves as the glue dries ..



    Instead, I add glue to each piece, push them together, then use packing tape to hold them tightly ...



    ... and then stretch them into the curve ...



    The bevelled sides ensure that the angles are correct, and the tape ensures a tight join (this started out for a chest door, then became the side to a side table) ..



    Just another way.

    Regards from Perth

    Derek
    Visit www.inthewoodshop.com for tutorials on constructing handtools, handtool reviews, and my trials and tribulations with furniture builds.

  11. #10
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    Jun 1999
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    After 4-5 hours depending on temperature, the glue will have a hard rubbery texture, so it's a good time to remove the panel from the jig and strip off the glue. The wax makes this an easy job.

    Now it's time to round the panel. The first step is to plane the corners off the facets, leaving double the number of facets. Plane each corner until the 'old' and 'new' facets are all about the same width. Then, plane a few strokes to remove the corners again. At this stage, the panel will be approaching round, but will still feel 'lumpy'. It is now ready to finish rounding using a patternmaker's rasp, file and sandpaper.
    glue removed.jpg
    I used a fine patternmaker's rasp, working diagonally, to remove the remaining corners and bring the panel to round. Work lightly, not applying much force to the rasp, and remove just enough wood to round the corners. With each stroke, lower the hand on the handle as you push the rasp through, and move the rasp to the side as you make each stroke. Go over the whole panel so that you can see light rasp marks all over the panel. Then, repeat the process with a bastard cut file until the rasp marks are removed. At this stage, you may still be able to see some file marks.
    Rasped & filed round.jpg
    Next, I used 80 grit sandpaper on a hard block, sanding along the grain, to remove all the file marks. Sand the full length of the panel until all the rasp marks are gone. Feel the panel for any uneven spots, and inspect it carefully for any tool marks.

    The piece should now feel round, with no high spots. Now, go over the panel very lightly with a card scraper. Work mainly along the grain, but if you can still see any file marks, you may want to work diagonally as well. When you're happy with the shape, with no flat spots or tool marks, sand it to the desired finish. I worked from 180 grit up to 800 grit.
    Sanded.jpg
    Clean up the dust by blowing with a compressor if you have one,then washing liberally with metholated spirits and paper towels. When clean and dry, I applied a coat of shellac, and after this was dry, I sanded it lightly with 800 grit and cleaned up with white spirits.
    Shellacked.jpg
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  12. #11
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    Mar 2009
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    I'm enjoying the WIP Alex. Good work

  13. #12
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    Watching, learning
    .
    Updated 8th of February 2024

  14. #13
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    Feb 2003
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    back in Alberta for a while
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    Quote Originally Posted by groeneaj View Post
    I'm enjoying the WIP Alex. Good work
    regards from Alberta, Canada

    ian

  15. #14
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    Sep 2002
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    Cliff.
    If you find a post of mine that is missing a pic that you'd like to see, let me know & I'll see if I can find a copy.

  16. #15
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    What make of blade and spec do you use Alex to produce such cuts on the table saw?
    It's an HBS (Henry Bros.) 10" 60 teeth blade. I think the important thing is to have a sharp blade that is parallel to the fence.

    I trimmed the lid panel to length on the TS, then had to shape the panel ends to fit the grooves (yet to be cut) in the box ends. First, I rounded the facets on the inside of the panel by hand, then modified the glue-up jig to make a routing jig to cut a curved slot in the panel.
    Trimmed panel ends.jpg
    Trimming jig.jpg

    I also resawed, dressed and marked to length the box sides. Today, I'll sand them, cut to length and mark out the dovetails.
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