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  1. #1
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    Default 7 Course Renaissance Lute Progress Pics

    Update pics from the Renaissance 7 course Lute project. Slow progress due to heavy work commitments and family issues. The body has been finished and the neck veneered and attached to the body. Matching up the veneer and purfs on the neck to the body was a painful process and not a job for a beginner. Next task is the soundboard rosette. Pics as follows:
    1. Building up rosewood ribs over MDF mold.
    2. Body finished and ready to come off the mold.
    3. Body off the mold.
    4. Shaping limewood neck core. Rosewood/WBW purfling strips get veneered over the core and match up with the body.
    5. Rag paper reinforcing strips glued along inside of rib joints.
    6. Backstrap glued in. This required construction of 30 special wooden clamps.
    7. Backstrap done.
    8. Body with neck attached. The neck joint is a scarf joint with a 63 x 8G screw to provide clamping pressure while hide glue sets. I added two 6mm reinforcing dowels which are not traditionally used but are a bit of extra insurance.
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

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  3. #2
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    Default 7 Course Renaissance Lute Progress Pictures

    Looking good Martin.
    Cheers, Bob

  4. #3
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    Your the man martin!! The king of the dark side

  5. #4
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    Good to see you getting some shed time again Martin. I know what its like, Im struggling to get anything going at the moment. I look forward to the rosette adventures,
    "We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer

    My blog. http://theupanddownblog.blogspot.com

  6. #5
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    Great stuff Martin,

    How is it possible to joint one of those back sections to the next?
    either some super fancy jig or a simple solution? I'm thinking you
    have a left and a right and angles same with the
    neck but with no curve.

    Look farwrd to seeing more.I will have to do a search and see
    if I can find pics of your guitars in one of your, is it 3080 something
    posts?. Regards Rob

  7. #6
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    Hi Rob,

    The trick with building a lute body is to start with an accurately made mold. Although I had plans to work off they are only used as a guide and once the mold is erected you have to fine tune the ribs of the mold making sure that a flexible ruler laid over the mold touches each rib at the correct point.

    The body ribs are rough cut to a pattern and then bent on a hot iron. Once bent the joining edges of each rib are run over a jointer plane sitting in a vise and then fine tuned on a sanding board. The procedure is identical to a cooper making up staves for a barrel. Its all a matter of trial and error to get a good fit along the edges of the ribs....I would have rejected about 5 ribs by the timeI finished. Once shaped and trimmed the ribs are glued to the adjacent ribs with hide glue.
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

  8. #7
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    The rib shaping process explained in more detail. Photos as follows:
    1. After cutting out rib it gets bent on the hot pipe.
    2. Test fitting on the mold.
    3. Shaping rib edges on upturned No 8 jointing plane.
    4. Checking edge of rib lies on same plane using a plane box.
    5. Fine tuning rib edges using sanding board.
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

  9. #8
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    Quote Originally Posted by Sebastiaan56 View Post
    Good to see you getting some shed time again Martin. I know what its like, Im struggling to get anything going at the moment. I look forward to the rosette adventures,
    The rosette will be a challenge. The rosette on a lute is carved into the top so there is absolutely no margin for error. For this reason Ill be doing a test run on some scrap spruce before attempting the real thing. I tried making up some carving tools using scalpels but the finished cutting edges werent too my liking. Ive ordered a variety of mini chisels from the US and they should be more suitable for the rosette carving job.

    At work at present and then off to NZ as soon as I get home so wont be much progress on the lute over next month or two.

    Cheers Martin
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

  10. #9
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    The top is about 1.3mm around the rosette isnt it? The rest about 2.0mm, if I remember my Lundberg correctly,
    "We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer

    My blog. http://theupanddownblog.blogspot.com

  11. #10
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    That's about correct Seb. Thickness is just under 2mm but final figure depends on the wood. Test rosette will be on Englemann but the top on the lute will be European Spruce.

    Cheers Martin
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

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