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  1. #61
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    Adjusting scale length at the bridge is probably the worst way to do it for so many reasons.
    Adjusting at the other end works better with an adjustable nut.
    Its called a capo and they have them available for lap steel instruments. Google dobro capo
    Will post some pics of my weissenborns when I get the chance

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  3. #62
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    Bagdad Tasmania
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    Default My First Build a Weissenborn

    Thanks for the info Jeff, As once I get my Acoustic Weissenborn built,
    Lapsteel will be the next one.
    Hoping to resaw my billets of fiddleback blackwood tomorrow, I will keep everyone informed and post photos.
    Regards Bob

    Quote Originally Posted by jeffhigh View Post
    Adjusting scale length at the bridge is probably the worst way to do it for so many reasons.
    Adjusting at the other end works better with an adjustable nut.
    Its called a capo and they have them available for lap steel instruments. Google dobro capo
    Will post some pics of my weissenborns when I get the chance

  4. #63
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    Default My First Build a Weissenborn

    Anyone interested in Weissenborns check this link below.
    Lap Steel Guitars - Custom made in California by Luthier Bill Asher

  5. #64
    Join Date
    Jul 2009
    Location
    Perth
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    Quote Originally Posted by jeffhigh View Post
    Adjusting scale length at the bridge is probably the worst way to do it for so many reasons.
    Adjusting at the other end works better with an adjustable nut.
    Its called a capo and they have them available for lap steel instruments. Google dobro capo
    Will post some pics of my weissenborns when I get the chance
    So what would be some of the problems with adjusting it at the bridge?

    I don't see why i couldn't do it? I know its not necessarily needed as there is as you say capo's that would do the same thing. But i could and i think it would be interesting if i did?

  6. #65
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    Default My First Build a Weissenborn

    tbkmagic, if you think it would work try it.
    What do you have to lose.
    Regards Bob.

    Quote Originally Posted by tbkmagic View Post
    So what would be some of the problems with adjusting it at the bridge?

    I don't see why i couldn't do it? I know its not necessarily needed as there is as you say capo's that would do the same thing. But i could and i think it would be interesting if i did?

  7. #66
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    Jul 2004
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    Quote Originally Posted by tbkmagic View Post
    I have just been looking at your build thread here and then some pics of lappy's
    and as the frets are only an indication i wonder weather you could make a bridge for adjustable scale length? i am a machinist and i reckon i can make it so i will have to see what info i can find.

    Cheers Keegs.
    two questions:

    1. why do you want an adjustable scale length? As Jeff suggests use a capo.
    2. as soon as you change scale length your fret positions change. Granted on a Weissy youre not actually fretting the strings but if the fret markers are going to be out why bother putting them on?
    3. Most Weissys Ive seen have a glued on bridge. How are you going to cater for large backwards and forwards movements of your saddle without having a bolted on bridge?
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

  8. #67
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    Quote Originally Posted by tbkmagic View Post
    So what would be some of the problems with adjusting it at the bridge?

    I don't see why i couldn't do it? I know its not necessarily needed as there is as you say capo's that would do the same thing. But i could and i think it would be interesting if i did?
    No reason you cant do it....its just wasting time doing it at the bridge when theres a much simpler way of achieving the same result.
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

  9. #68
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    Quote Originally Posted by kiwigeo View Post
    No reason you cant do it....its just wasting time doing it at the bridge when theres a much simpler way of achieving the same result.
    Yeh you and Jeff are both correct i'll give ya that, It was never a case of weather it was the best way to do it or if it was even a good way at all it just seemed to me like it could be done. And as a machinist i would enjoy the challenge of making the mechanism that could do it. Just thinking a bit outside the box. Its not always correct but it is sometimes fun to go there.

    But cheers for the input and sorry bob now its back to you!

    Any luck with the re-sawing today?
    Weather help you any?

  10. #69
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    Sep 2007
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    besides any of the other reasons given above
    -you will have a kink in the string at each location of the bridge
    -need to completely retune after moving probably need to detune before moving bridge back
    -pickup position changes relative to bridge.
    - slow to change using threaded arrangement
    presuming this is an electric instrument you are considering
    would not work at all on an acoustic

  11. #70
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    Quote Originally Posted by jeffhigh View Post
    besides any of the other reasons given above
    -you will have a kink in the string at each location of the bridge
    -need to completely retune after moving probably need to detune before moving bridge back
    -pickup position changes relative to bridge.
    - slow to change using threaded arrangement
    presuming this is an electric instrument you are considering
    would not work at all on an acoustic
    Yeh now thats some good points and i can only say i could fix one! i worked out a little spring system that would just be a flick to change position rather than the thread setup. But thats what the forum is for, so i don't waste my time on these things but can ask you more experienced builders.

    Did you manage to get some pics of your weissenborns?

  12. #71
    Join Date
    Sep 2007
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    Caves Beach, NSW
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    Attachment 118490

    Attachment 118491
    27" scale king billy (knotty) top. Qld Maple B&S about 1" deeper
    25" scale tazzie Blackwood

  13. #72
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    The 27" looks real good the maple really stands out and the fretboard looks sweet but both very nice weissenborns.

    Cool i dea with the bridge pins too. Curving them around like that

    There ya go bob it's just gotta look like that!

  14. #73
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    Sep 2007
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    Thanks for the comments.
    With the maple one I bookmatched the fretboard from figured sapwood scraps from the back wood and laminated it to a base.
    The blackwood looks a little dull cause it is not actually finished, just sealed with CA.
    Gotta pull it appart someday and finish it

  15. #74
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    Yeh i thought it looked bookmatched just the way it sort of seems to point towards the middle of the board.

    The blackwood looks nice still, natural i suppose.

  16. #75
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    Default My First Build a Weissenborn

    Great builds by Jeff & some good advise tbkmagic from Jeff & Martin to your question, now its up to you to decide what you want to do with your build.
    Now in answer to your question have I managed to resaw my billets yet.
    well I managed to catch up on a back load of work yesterday so next week I will be taking a day off from other customers orders and spending a bit of time doing what I need to do resawing Etc.
    Cheers Bob

    Quote Originally Posted by tbkmagic View Post
    Yeh i thought it looked bookmatched just the way it sort of seems to point towards the middle of the board.

    The blackwood looks nice still, natural i suppose.

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