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  1. #1
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    Default "Conjurer" New Metal Series Build

    It's been ages since I posted a build thread so thought I'd put some time in and share this with everyone. I have built this shape before and I really like it although I realise it is certainly NOT for everyone. The lead guitarist of a popular Melbourne Metal band is currently demoing another of these builds and he has fallen for it. It is likely to be released as a "Signature Series" build for the band in coming months. On that note, a film clip featuring all Ethereal builds has been finalised and is due to be released very shortly. Very hush hush so more details when the time is right.


    OK, onto the build! Specs as follows:
    • 24.75" Scale, 24 Frets (medium stew mac)
    • 19-21mm "C" shaped Neck profile
    • Brazilian Walnut one pice body 31mm
    • Figured Blackwood Bookmatched top 19mm (thanks to Bob for this )
    • African Ebony FB with Diamond MOP inlays
    • 5 piece set neck all quartersawn Blackwood with black dyed maple veneers. Figured blackwood headplate.
    • Tunomatic w/Graphtec saddles, Graphtec nut, String Thru, GFS Crunchy Rails, 1 x 3 way Toggle, 1 x Vol and 1 x Tone
    • Clear Lacquer Finish
    As always, I am a complete slacker when it comes to taking photos at all the stages but bit the bullet this morning and snapped the following to give you an idea as to where things are at. I will do my best to take photos as often as possible and keep the thread updated as progress occurs. Feedback always welcome. Happy building . Jon





    Last edited by EtherealGuitars; 17th March 2010 at 11:11 AM. Reason: Remove unnecessary spacing

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  3. #2
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    Default Conjurer"New Metal Series Build

    Looking excellent Jon, This will be an interesting build to follow.
    And I also look forward to the Secret film clip you are working on.
    Keep the photos coming.
    Cheers,Bob
    Last edited by woodturner777; 17th March 2010 at 11:21 AM. Reason: correction

  4. #3
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    Sydney
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    Default

    Great looking build Jon. It doesn't need to be everyone's cup of tea. You just need to know your market (or guitarist) and do it well. That neck will look a million bucks when it's shaped. Look forward to more

    Cheers,

    Peter

  5. #4
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    Hey thanks Bob and Peter. Contributions to the thread much appreciated.

    Had a good day yesterday and got the initial fretwork done and neck carve roughed in. Neck is only to 80 grit and still needs further work but the bulk of the job is done.






  6. #5
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    Very nice Jon, I really like it.

    The laminate neck looks killer, I'd love to try something like that myself.

    Can you elaborate on how you achieve the thin black maple strips - Is it just standard maple veneer that has been dyed black and glued into the laminate ?

    Cheers

    Dave

  7. #6
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    Quote Originally Posted by fletch123 View Post
    Very nice Jon, I really like it.

    The laminate neck looks killer, I'd love to try something like that myself.

    Can you elaborate on how you achieve the thin black maple strips - Is it just standard maple veneer that has been dyed black and glued into the laminate ?

    Cheers

    Dave
    Cheers Dave, thanks for the . Regarding the black maple strips you are spot on. I source them from ALS Guitar Parts from Australian Luthiers Supplies - Parts and materials for guitars, basses, mandolins and violins, replacement hardware including bridges and machine heads, wood for tops, backs & sides, necks and fingerboards, tuners, bridges and other. I then simply glue them into position as part of the neck billet glue up stage. It is more messing around of course and a bit fiddly but like you, I reckon it looks really schmick . Leaves little room for error though if something is out of alignment as disproportionate balances really stand out with the black lines.

    Apologies for the average pic of the neck....bit blurry.....will post another soon when I have sanded and finished the shaping.

    Jon

  8. #7
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    Excellent, thanks for that Jon, I'll give it a go next build

    I am looking forward to seeing that neck and body pop once you lacquer it

  9. #8
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    Mar 2010
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    Bullsbrook W.A.
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    Thumbs up

    Call me "Wierd" But I reckon the best Musical Geniuses in the would are Steely Dan, "Not every ones cup of tea" in fact very few peoples cups of tea, but Musical Geniuses all the same!

    Same Deal Dude! awesome build, I'm sure it will be an awseome Guitar,Your rught, not my cup of tea, But, nice lines, awesome job man, keep it going mate full support here and good on you for liking what you like!.

    Ox (workin on somethin weird!)

  10. #9
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    Blue Mountains
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    Agree about Steely Dan!

    Cool build, the Blackwood looks full on. How heavy is the walnut?
    "We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer

    My blog. http://theupanddownblog.blogspot.com

  11. #10
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    Steely Dan....... Music is all about individuality so yup, with you there Ox.

    The Walnut is not light and not overly heavy. Total build will come in around 3.5 - 3.8kgs, unchambered. I did think quite a bit about chambering this build but in the end decided against it in favour of the full solid body tone.

    It's a shame about the blemishes in the Blackwood. I was originally wanting String Thru but a good mate (Oz Tradie) suggested last night, perhaps use a stop bar to cover up where I have epoxied a knot/hole/hollow bit. Good suggestion but I might wait until I can see how it comes up all sanded. Any thoughts folks? (you can see what I am waffling about in the first post).

    Cheers all.

  12. #11
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    More progress today with the neck pocket now complete. First pic shows the method I use to rout the pocket which takes some time to setup but I have had an almost perfect success rate with this compared to template methods. Pickup cavities also routed. Neck angle yet to be created. Anyway, few more pics to keep the story up to date........






  13. #12
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    Default Conjurer"New Metal Series Build

    Jon, it is a known fact high figured old growth blackwood mostly has blemishes knots bark intrusions etc that is the nature how you get the figure old growth twisted old trees, you the luthier have to find the best way to work with this.
    Using sawdust super glue mix,or coloured epoxy mix etc.
    I had a well know customer who wanted highly figured blackwood with no knots no bark intrusions my answer was sorry Tasmanian Blackwood is not genetically modify'ed if you want high figured this is how it comes take it or leave it.
    They took it.
    Regards,Bob
    P.S. I must add Jon there is only a couple of small blemishes on the front and they sure don't take away from how figured the top is.


    Quote Originally Posted by EtherealGuitars View Post
    Steely Dan....... Music is all about individuality so yup, with you there Ox.

    The Walnut is not light and not overly heavy. Total build will come in around 3.5 - 3.8kgs, unchambered. I did think quite a bit about chambering this build but in the end decided against it in favour of the full solid body tone.

    It's a shame about the blemishes in the Blackwood. I was originally wanting String Thru but a good mate (Oz Tradie) suggested last night, perhaps use a stop bar to cover up where I have epoxied a knot/hole/hollow bit. Good suggestion but I might wait until I can see how it comes up all sanded. Any thoughts folks? (you can see what I am waffling about in the first post).

    Cheers all.
    Last edited by woodturner777; 23rd March 2010 at 11:06 PM. Reason: Add comment

  14. #13
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    Default

    Fair comments Bob. As this is the first old growth Blackwood billet I have bookmatched (was a 90mm thick billet which I have secured 2 carve tops out of the first 500mm length.....1m to go I guess I was not sure what to expect.

    The great thing about a forum like this and posting a build thread is the diversity of thoughts and opinions people have. Your post makes me feel significantly better about what I am working with so ...thanks!

    I agree also that the "blemishes" are really minor and in fact after some light sanding last night, became even more minor.

    The "old growth" factor is a really important one. This is a particularly special top that I am sure must be a couple of hundred years old. I feel a bit mean picking on it now . As you say, such factors come with the territory, and yes, I am very excitred to be in "this" territory. Cheers. Jon

  15. #14
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    Default Conjurer"New Metal Series Build

    Jon,
    I would say your blackwood top is over 200 years old.
    Blackwood can live for close to 300 years and this billet you bought was from a standing dead old tree as is nearly all the figured blackwood I sell it is recovered from standing dead trees and a small amount is recovered from stump wood after logging operations we never ever cut down live trees.
    The only time that I have cut down live trees was on a building site where I was building a cabin back in my hippy days. But I have lost count on the thousands of trees that I have planted and before I go I will plant many more.

    That top of your guitar is really going to pop with a bit more very fine sanding and a finish on it. I look forward to the finished guitar please send me a photo to put in my guitar gallery page of my website.
    Cheers,Bob.

  16. #15
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    Certainly sounds like your doing your bit for the planet Bob. Thanks also for the additional information about my prized tonewood .

    Pictures will definitely be coming your way. At this stage, every pic I have posted in this thread shows the top having been sanded to 80 grit...ONLY.

    I also can't wait.......oh the joys of building guitars

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