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  1. #61
    Join Date
    Apr 2010
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    Blacktown
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    59
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    175

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    The brand names i do own are basically collectors, i also own quite a bit of gear but my main players arnt brand names. At the end of the day, your own tone comes down to your own personal taste so its a little hard to decipher whats the best and whats not. I also make pickups and amplifiers and understand the basics of what i like, but i do know good tone. Mick maybe just a minority of good PU builders but as far as Aussie's go he is basically one of the best in this country and probably sweeps 50% of the overseas market. Most of my gats dont have Mick Bs in them and i wouldnt change any one of them but if i had to keep only one id pick the one that had Brieleys, hands down!

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  3. #62
    Join Date
    Jun 2010
    Location
    Murray River
    Posts
    27

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    For the same price of an L series strat I could have 20 guitars that ate it in every aspect... Collectable doesn't mean good... The most productive guitar I own is a $180 ebay find and with new pups and paint it is still today my primary instrument.

    The $20k BC Rich artist custom in the pic is a monster but the $180 USA warlock I scored keeps up with it (almost)

    Mick for one cannot produce a good emg type sound and I have heard Lace sensors that were replaced by micks that were put quietly back in a few days later... Sound is subjective and Mick is ok but not god...I would buy something else personally rather than hit and miss.

    I am looking for tone so three most important features for me are tone holes, neck through and big head stock. Bolt on neck guitars just don't cut it when you get a good neck through...

  4. #63
    Join Date
    Jun 2010
    Location
    perth
    Posts
    33

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    well the sound im goin for is cog, karnivool, dead letter circus, the butterfly effect, birds of tokyo, mammal and incubus................. just a mixture of those bands really haha

  5. #64
    Join Date
    Jun 2010
    Location
    Murray River
    Posts
    27

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    Go an emg 81 or 85 and use a line 6 effects processor (not the amps, get the pod or pc one). 99.9% of heavy bands use this, the gibson, well I think you got bum advice or rocks in your head with that one though??? Neck through is only answer for heavy shyt, all about tone and sustain, bolt on just don't cut it...

    Make sure you get a good ebony fingerboard, rosewood is useless...

  6. #65
    Join Date
    Jun 2010
    Location
    perth
    Posts
    33

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    Quote Originally Posted by AuroraAustralis View Post
    Go an emg 81 or 85 and use a line 6 effects processor (not the amps, get the pod or pc one). 99.9% of heavy bands use this, the gibson, well I think you got bum advice or rocks in your head with that one though??? Neck through is only answer for heavy shyt, all about tone and sustain, bolt on just don't cut it...

    Make sure you get a good ebony fingerboard, rosewood is useless...
    well everyone of those bands use gibson and im not big on line 6, sorry dude

  7. #66
    Join Date
    Jun 2010
    Location
    Murray River
    Posts
    27

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    Line 6 are the benchmark, when I was a teenager it was all digitech and boss pedals now it is all line 6! gibson pay them to use Gibsons and build them one off monsters that the average punter would never see... with big producers in studios creating "the" sound. Line 6 and emg is heavy guitarist heaven, I use the computer interface through an emu soundcard through a 5 watt class a tube amp and it is dynamite. I don't need a producer or engineer to get a great sound,

    Gibson and Fender were giants, now they are multinational companies with shareholders flogging off second rate shyt on the back of days gone by...

    http://line6.com/artists/list/
    http://www.emginc.com/artists/roster/

    google neck through vs bolt on...

  8. #67
    Join Date
    Jul 2004
    Location
    Adelaide Hills
    Age
    66
    Posts
    3,803

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    Quote Originally Posted by AuroraAustralis View Post

    also, pickups being wound will sound better with age. I suggest seeking vintage pickups that are tested... I source all my invaders from the states and have an exceptional contact for certain items.
    Maybe Ive read your post wrong but are you saying that the sound produced by a pickup improves with age? Or are you simply stating that older design pickups sound better than modern design pickups?
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

  9. #68
    Join Date
    Jun 2010
    Location
    Murray River
    Posts
    27

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    Quote Originally Posted by kiwigeo View Post
    Maybe Ive read your post wrong but are you saying that the sound produced by a pickup improves with age?
    Yes I am... Aged magnets make vintage pups squeel

  10. #69
    Join Date
    Jul 2004
    Location
    Adelaide Hills
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    66
    Posts
    3,803

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    So how exactly does the pickup magnet change with age?
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

  11. #70
    Join Date
    Jun 2010
    Location
    Murray River
    Posts
    27

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    They lose strength and sound sweeter, google it before you try bite my head off... It is not like I invented the theory!

  12. #71
    Join Date
    Sep 2008
    Location
    sydney
    Posts
    2,370

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    i read that pickup magnets lose their magnetic properties over time,
    i also read that general knocks can help a magnet lose its mojo,
    and i also read that those things make some vintage pickups desirable to people who play bluesy stuff

  13. #72
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    Jun 2010
    Location
    Murray River
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    27

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    not just blues... Rock and metal benefit from this too!

  14. #73
    Join Date
    Jul 2004
    Location
    Adelaide Hills
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    66
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    3,803

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    Quote Originally Posted by AuroraAustralis View Post
    They lose strength and sound sweeter, google it before you try bite my head off... It is not like I invented the theory!
    Fair enough.....that's actually the answer I was hoping you'd come back with. Dunno where the fear of me biting your head off came from....Ive got a Nazi style Number 1 hair cut and some people say I look scarey but I'm actually a pussy cat acoustic builder with an interest in the electric side of the business.
    Whatever note you blow youre never more than a semitone away from the correct one....(Miles Davis)

  15. #74
    Join Date
    Jun 2010
    Location
    Murray River
    Posts
    27

    Default

    Sorry mate, been a bit defensive from some replies on line last two days, some people should go slap their parents for breeding I swear...

  16. #75
    Join Date
    Sep 2007
    Location
    Sydney
    Posts
    489

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    use a line 6 effects processor (not the amps, get the pod or pc one). 99.9% of heavy bands use this,
    Incorrect

    the gibson, well I think you got bum advice or rocks in your head with that one though???
    You're putting yourself outh there with that call.

    Neck through is only answer for heavy shyt,
    A set neck will do the heavy stuff quite well actually...

    rosewood is useless...
    Incorrect again

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