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7th April 2011, 07:35 PM #16GOLD MEMBER
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7th April 2011 07:35 PM # ADSGoogle Adsense Advertisement
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7th April 2011, 11:09 PM #17Senior Member
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- Sep 2007
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- Sydney
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Thanks fellas,
Yep the inlay did take a little time, however paid off.
Shaping the neck
Cheers,
Peter
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8th April 2011, 01:50 PM #18
Top shelf Peter! Love the bench as well.
"We must never become callous. When we experience the conflicts ever more deeply we are living in truth. The quiet conscience is an invention of the devil." - Albert Schweizer
My blog. http://theupanddownblog.blogspot.com
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9th April 2011, 11:31 PM #19Senior Member
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- Sep 2007
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- Sydney
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- 489
Thanks Again,
Glueing the neck
And the guitar ready for spraying
Cheers,
Peter
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29th April 2011, 07:13 PM #20Senior Member
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- Sep 2007
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- Sydney
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- 489
Hi,
Dropped this one off as well over the weekend.
Final Specs:
Body - One piece quilted Qld maple with ebony Binding and MOP purfling
Neck - 3 piece laminated Qld maple with wenge accent laminations
Fretboard - Ebony with engraved "Rose thorn Tatoo" MOP inlay.
Hardware - Gotoh tuners and Shaller top tail bridge with roller saddles
Picups - Seymour duncan "Slash signature" hummies.
Cheers
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30th April 2011, 04:46 AM #21Senior Member
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- Dec 2009
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- Newark, Ohio, USA
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- 130
Geeeeez, that is finer than frog hairs. Nice work
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30th April 2011, 02:30 PM #22New Member
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- Apr 2011
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- Sydney, AUS
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- 7
Beautiful! Those inlays are spectacular, they really set it off and work as a great contrast to the top. Congrats on building such a beautiful piece!
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30th April 2011, 06:18 PM #23Senior Member
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- Sep 2007
- Location
- Sydney
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- 489
Thanks, very kind of you to say.
This guitar is very different to most I have played, as the Slash signature picups are alot different to any of the pickups I have used in the past. The pickups were purely Nick's choice, and I was worried it would sound too much like slash, however the guitar has a tone very different to a LP, and the overall tone came through a bit brighter and a little smoother. None the less suited well. Nick loves the tone and whilst it is not everyone's cup of tea, suits him.
More pics....
Cheers
Peter
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3rd May 2011, 01:19 PM #24New Member
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- Apr 2011
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- australia
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- 1
photos cant be viewed any more too bad
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3rd May 2011, 02:41 PM #25SENIOR MEMBER
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- Jan 2011
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- Sydney
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- 613
How could you ever sound too much like one of the true guitar gods?
Beautiful work. The inlays are stunning, but what got me was how neat and clean the control cavity is - I've had jacksons and the like, decent instruments, that the inside of that area looked like someone hacked it out with a blunt chisel. It's all the more impressive that you care enough about your work to finish off unseen areas like that to such a high standard.
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4th May 2011, 10:02 AM #26Senior Member
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- Sep 2007
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- Sydney
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- 489
Thanks Andrew,
It is nice Of you to say so. The control cavities are just routed. Getting a clean cut is simply a case of getting the right rpm on the router and moving continuously with multiple passes. Clean routing saves time later. That is it. I generally don't go much further. After spraying the grain is quite raised on the inside and I wil just give it a quick scuff sand to roughen the surface and level high spots ready to lay on the coats of shielding paint before fitout.
Cheers
Peter
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4th May 2011, 04:37 PM #27
Beautifull stuff....the Queensland Maple does look deadly,i must say!!You have done it proud Peter
Mapleman
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4th May 2011, 11:13 PM #28
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5th May 2011, 10:14 PM #29Apprentice
- Join Date
- Apr 2008
- Location
- Perth Aus
- Posts
- 577
beautiful work all around Peter...and yes ...tht maple is most lovely indeed...
Looking for
1. fiddleback mulga - 1" thick, 3"wide, 26" long
PM if you have for sale!
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