Printable View
I have this pair of chairs which I know little about other than they are very cool.
I am looking to make them functional but also wanting to not alter their look too much
The leather arm slings and the straps under the base are in poor condition but the seat base and back seem fine.
Appreciate some advice on the best way to deal with them and if anyone knows era or origin
cheers
Attachment 482609Attachment 482610Attachment 482611Attachment 482612
I agree they do look very cool. The seat and back are in such good condition I would just replace the arms with new bits of black leather. I would look on line for vendors of suitably sized pieces of leather and DIY
Hi There Beardy,
I believe they are Roorkee Chairs. A style of campaign chair.
There is a guy at the Melbourne Guild of Fine Woodworking that runs classes on making them.
His name is Hugh Anderson, who I have known for a while outside of that institution.
If you look up the Guilds website there is a little bit of info on them and you may be able to contact Hugh and ask his advice.
They're pretty cool chairs. I might have made one or two if I had room to put them.
Cheers
Frank
Interesting Frank . Thanks .Quote:
Originally Posted by mattocks
I remember seeing lots of these turn up at local Melbourne furniture auction rooms over the years .
They must have had a popular period in the 1970S I assume ?
Further to what Frank said I just found this information on them
Roorkee Chair – Lost Art Press
My standard way of refreshing that dry look Beardy is to give the wood parts a going over with a mix of linseed oil mixed with mineral turps . 30 / 70 mix roughly . It sort of feeds the wood surface and drys off leaving it thinly oiled . A rub back at the same time with fine worn sandpaper like a 320 to 400 just smooths the surface lightly . It will go darker at first if the surface is absorbent but if left at that it dries off to the natural colour.Quote:
Originally Posted by Beardy
You dont want something that's going through the faded colour of the top surface with the sand paper, just adjusting the feel of it if its raised or sun / water damaged .
Then you could give it either a thin rubber of shellac for a nice light re shine or a thinned oil finish like my latest favorite Osmo , or Danish oil . Finished off with a 0000 steel wool and wax . liberon wool .
For the coloured shiny look with the Leather. It used to be sealed and shined same as wood going way back . With the same finishes I'm convinced, and been told by leather workers in the Antique trade. Later modern methods are different than the old way . If its a suede raw belting then feed with a wax like polish ? leather products are available I'm pretty sure .
If it was a sealed surface with a shine then a feed with the oil and turps light cut back and a re shine with shellac gives a very nice look quickly. Then a wax. Ive restored antique leather boots , leather desk tops , Made plenty of new hand coloured leather desk tops and made new leather covered Georgian style Wing chairs this way .
Rob
The traditional treatment that has been used for centuries on leather is neatsfoot oil.
Its significance is that unlike all other oils it doesn't dry out and continues to soften the leather.
I had not heard of them so after reading that the straps and buckles are explained.Quote:
Originally Posted by Beardy
Regards
John
I did a bit of research and apparently you need to be careful not to use the oil near stitching as it will rot the thread, theyalso discuss Mink oil as another option.Quote:
Originally Posted by Bohdan
The base ash and back are in good condition so might look at using a proprietary leather cream of some sort on them but the arm slings are very dry and have no stitching so the neatsfoot oil might be good for them
The leather straps under the base are gone to far so will need to replace them but perhaps can use the original buckles
I might see what the local saddlery has to say about replacing them
Thanks all who have contributed so far, I now know what the chairs are and have a bit of direction to tidying them up
I am a little bit surprised the wood turning fraternity have not got on to these as they would be a great little project to take on
Hi Beardy,Quote:
Originally Posted by Beardy
Looking at the detail the designer is Michael Hirst, ca. 1960. Check out Michael Hirst :: biography at
:: at Design and Art Australia Online. Both the Powerhouse Museum and NGV have his works in their collections, predominately steel rod designs or work done in collaboration with Clement Meadmore. It's possible Hirst himself made them as no one else is credited that I'm aware off.
Hirst was continuing in the tradition that all designers, woodworkers, chair makers, etc, at some point reach; pitting ones skill and knowledge against the those practiced by our forebears...and contemporaries for that matter. A tradition more commonly associated with the Windsor chair.
As to why the resurgence in Scandinavia of a chair more commonly associated with the British Raj?
This is the conundrum of the internet. Instant gratification and short attention spans. :U