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17th March 2022, 01:42 AM #16
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20220314_205402.jpg20220314_205344.jpg
This guitar is finished aside from knobs, making a truss rod cover and applying the back side covers. buttonlac makes the cherry sort of hard to distinguish from maple. The box substitute fingerboard would probably never be guessed at correctly by anyone (it looks like it's either maple or clear poplar), and the button lac gives sort of a vintage look to the mahogany, but....not like "old times" vintage, more like 1970s.
Some weirdness with the pictures making stuff that's not out of line look like it's out of line (only the low side of the very last fret is wonk -as in 22nd or whatever it is). it's just a visual issue - nobody plays those lower notes and I'm not sure it would even be noticeable as far as intonation goes - just a consequence of the drive to do everything freehand and having something slip in a too-loose clamp.
Plays and sounds great - I made the frets full neck width (tons of real estate) and then scraped a rolled edge just a little between the frets.
waffling on the knobs - either black purchased clear knobs and an ebony truss rod cover (needs to be import style as the 2-way truss rod isn't installed like a USA gibson type, so no bell covers can be used), or could also use some of the castelo box and make both knobs and a cover (so that the cover matches the rest of the fingerboard and peghead overlay.
I like the looks of the carved top guitars better, but have always though the specials sounded better when they're good wood. At least as far as new guitars - I've never heard a new guitar that sounds like some of the 60 year old bursts (and only some of them sound great - others aren't that great).
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18th March 2022, 12:37 AM #17
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Cool.
I've laminated custom truss rod covers out of multiple layers of veneer. Then, you can get creative yet still have it look attractive and sort of match the rest.
You could do that on the back as well... Maybe for the back, get some 1/16" aircraft plywood and veneer over it for the back covers. That way, it's not as crack prone as a thin sheet of solid wood. Those covers are fairly small, so controlling bubbles won't be horrible.
On the knobs... You could always make them out of some cool wood and inlay a stripe of contrasting wood or metal to be the "indicator". Like say some of that white, curly fretboard stuff for the knobs, and inlay a stripe of the body wood into it. Left proud, it would provide a tactile clue as to its position.
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18th March 2022, 12:46 AM #18
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I have some gibson spec covers for this guitar, I just think they're kind of ugly and they're always the last thing to go on after everything is confirmed working well.
This guitar has one of those cheaty quick connect gibson setups in with the large switchcraft selector being too big to fit through my routing holes (it's only a 5 minute job to unsolder the stuff, run it and then resolder the end that's on the switch, though, so I did that).
At any rate, I thought about laminating the truss rod cover for a different reason - it'll be brittle if it's solid wood, and then so, too would be the back covers. Probably wouldn't matter for the truss rod cover, but for the back it could unless the thickness is increased.
When you say aircraft plywood, do you mean there's thin ply maybe in something a little more attractive than birch?
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18th March 2022, 03:15 AM #19
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WRT bubbles - I never do anything with veneer, but recognize that it's a constant problem that I've seen elsewhere. Little things like peghead overlays, I've always clamped with something like a layer of drawer liner folded over (the kind that's not a solid mat, but the airy non skid stuff for tool boxes). That always seems to do a good job pushing everywhere - including the edges.
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